English fiction -- 20th century; Short stories, English
Hubert did not look up. The water slid and slid away before his eyes;
Minnie’s fingers played in his hair, ran caressingly over the nape of
his neck. He felt suddenly a positive hatred for this woman. Idiot! Why
couldn’t she take a hint? He didn’t want her. And why on earth had he
ever imagined that he did? All the way in the train he had been asking
himself that question. Why? Why? And the question had asked itself
still more urgently just now as, standing at the garden door, he had
looked out between the apple tree and watched her, unobserved, through
a long minute--watched her sitting there on the parapet, turning her
vague brown eyes now at the water, now towards the garden, and smiling
to herself with an expression that had seemed to him so dim and vacuous
that he could almost have fancied her an imbecile.
And with Phœbe yesterday he had stood on the crest of the bare chalk
down. Like a sea at their feet stretched the plain, and above the dim
horizon towered heroic clouds. Fingers of the wind lifted the red
locks of her hair. She stood as though poised, ready to leap off into
the boisterous air. “How I should like to fly!” she said. “There’s
something particularly attractive about airmen, I always think.” And
she had gone running down the hill.
But Minnie, with her dull hair, her apple-red cheeks, and big, slow
body, was like a peasant girl. How had he ever persuaded himself that
he wanted her? And what made it much worse, of course, was that she
adored him, embarrassingly, tiresomely, like a too affectionate spaniel
that insists on tumbling about at your feet and licking your hand just
when you want to sit quietly and concentrate on serious things.
Hubert moved away, out of reach of her caressing hand. He lifted
towards her for a moment a pair of eyes that had become, as it were,
opaque with a cold anger; then dropped them again.
“The sacrifice is too great,” he said in a voice that sounded to him
like somebody else’s voice. He found it very difficult to say this sort
of thing convincingly. “I can’t ask it of you,” the actor pursued. “I
won’t.”
“But it isn’t a sacrifice,” Minnie protested. “It’s a joy, it’s
happiness. Oh, can’t you understand?”
Hubert did not answer. Motionless, his elbows on the parapet, he
stared down into the water. Minnie looked at him, perplexed only, at
first; but all at once she was seized with a nameless agonising doubt
that grew and grew within her, as the silence prolonged itself, like
some dreadful cancer of the spirit, until it had eaten away all her
happiness, until there was nothing left in her mind but doubt and
apprehension.
“What is it?” she said at last. “Why are you so strange? What is it,
Hubert? What is it?”
Leaning anxiously forward, she laid her two hands on either side of his
averted face and turned it towards her. Blank and opaque with anger
were the eyes. “What is it?” she repeated. “Hubert, what is it?”
Public-domain text, read in full here on John Shaqi.
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