English fiction -- 20th century; Short stories, English
“The writing’s magnificent,” we agreed, laughing, as we examined the
address at close quarters. “Thanks to Euclid,” I added. “That’s what
comes of pandering to the ruling passion.”
But when I opened the envelope and looked at its contents I no longer
laughed. The letter was brief and almost telegraphical in style. “SONO
DALLA PADRONA,” it ran, “NON MI PIACE HA RUBATO IL MIO LIBRO NON VOGLIO
SUONARE PIU VOGLIO TORNARE A CASA VENGA SUBITO GUIDO.”
“What is it?”
I handed Elizabeth the letter. “That blasted woman’s got hold of him,”
I said.
* * * * *
Busts of men in Homburg hats, angels bathed in marble tears
extinguishing torches, statues of little girls, cherubs, veiled
figures, allegories and ruthless realisms--the strangest and most
diverse idols beckoned and gesticulated as we passed. Printed indelibly
on tin and embedded in the living rock, the brown photographs looked
out, under glass, from the humbler crosses, headstones, and broken
pillars. Dead ladies in the cubistic geometrical fashions of thirty
years ago--two cones of black satin meeting point to point at the
waist, and the arms: a sphere to the elbow, a polished cylinder
below--smiled mournfully out of their marble frames; the smiling faces,
the white hands, were the only recognisably human things that emerged
from the solid geometry of their clothes. Men with black moustaches,
men with white beards, young clean-shaven men, stared or averted their
gaze to show a Roman profile. Children in their stiff best opened
wide their eyes, smiled hopefully in anticipation of the little bird
that was to issue from the camera’s muzzle, smiled sceptically in the
knowledge that it wouldn’t, smiled laboriously and obediently because
they had been told to. In spiky Gothic cottages of marble the richer
dead privately reposed; through grilled doors one caught a glimpse of
pale Inconsolables weeping, of distraught Geniuses guarding the secret
of the tomb. The less prosperous sections of the majority slept in
communities, close-crowded but elegantly housed under smooth continuous
marble floors, whose every flagstone was the mouth of a separate grave.
Public-domain text, read in full here on John Shaqi.
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