English fiction -- 20th century; Short stories, English
These continental cemeteries, I thought, as Carlo and I made our way
among the dead, are more frightful than ours, because these people
pay more attention to their dead than we do. That primordial cult
of corpses, that tender solicitude for their material well-being,
which led the ancients to house their dead in stone, while they
themselves lived between wattles and under thatch, still lingers here;
persists, I thought, more vigorously than with us. There are a hundred
gesticulating statues here for every one in an English graveyard. There
are more family vaults, more “luxuriously appointed” (as they say of
liners and hotels) than one would find at home. And embedded in every
tombstone there are photographs to remind the powdered bones within
what form they will have to resume on the Day of Judgment; beside each
are little hanging lamps to burn optimistically on All Souls’ Day. To
the Man who built the Pyramids they are nearer, I thought, than we.
“If I had known,” Carlo kept repeating, “if only I had known.” His
voice came to me through my reflections as though from a distance. “At
the time he didn’t mind at all. How should I have known that he would
take it so much to heart afterwards? And she deceived me, she lied to
me.”
I assured him yet once more that it wasn’t his fault. Though, of
course, it was, in part. It was mine too, in part; I ought to have
thought of the possibility and somehow guarded against it. And he
shouldn’t have let the child go, even temporarily and on trial, even
though the woman was bringing pressure to bear on him. And the pressure
had been considerable. They had worked on the same holding for more
than a hundred years, the men of Carlo’s family; and now she had made
the old man threaten to turn him out. It would be a dreadful thing to
leave the place; and besides, another place wasn’t so easy to find. It
was made quite plain, however, that he could stay if he let her have
the child. Only for a little to begin with; just to see how he got on.
There would be no compulsion whatever on him to stay if he didn’t like
it. And it would be all to Guido’s advantage; and to his father’s, too,
in the end. All that the Englishman had said about his not being such
a good musician as he had thought at first was obviously untrue--mere
jealousy and little-mindedness: the man wanted to take credit for Guido
himself, that was all. And the boy, it was obvious, would learn nothing
from him. What he needed was a real good professional master.
All the energy that, if the physicists had known their business,
would have been driving dynamos, went into this campaign. It began
the moment we were out of the house, intensively. She would have more
chance of success, the Signora doubtless thought, if we weren’t there.
And besides, it was essential to take the opportunity when it offered
itself and get hold of the child before we could make our bid--for it
was obvious to her that we wanted Guido just as much as she did.
Public-domain text, read in full here on John Shaqi.
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