English fiction -- 20th century; Short stories, English
She put down her book and began to file her nails and think of poor
Minnie. Yes, poor Minnie. Why was it that one couldn’t help saying
Good Lord! heartfeltly, when one heard she was coming to tea? And why
did one never have the heart to refuse to let her come to tea? She was
pathetic, but pathetic in such a boring way. There are some people you
like being kind to, people you want to help and befriend. People that
look at you with the eyes of sick monkeys. Your heart breaks when you
see them. But poor Minnie had none of the charms of a sick monkey. She
was just a great big healthy young woman of twenty-eight who ought to
have been married and the mother of children, and who wasn’t. She would
have made such a good wife, such an admirably solicitous and careful
mother. But it just happened that none of the men she knew had ever
wanted to marry her. And why should they want to? When she came into a
room, the light seemed to grow perceptibly dimmer, the electric tension
slackened off. She brought no life with her; she absorbed what there
was, she was like so much blotting-paper. No wonder nobody wanted to
marry her. And yet, of course, it was the only thing. Particularly as
she was always falling in love herself. The only thing.
“John!” Mrs. Glamber suddenly called. “Is it really true about ferrets?”
“Ferrets?” the voice from across the passage repeated with a remote
irritation. “Is what true about ferrets?”
“That the females die if they’re not mated.”
“How on earth should I know?”
“But you generally know everything.”
“But, my darling, really....” The voice was plaintive, full of reproach.
Mrs. Glamber clapped her hand over her mouth and only took it off again
to blow a kiss. “All right,” she said very quickly. “All right. Really.
I’m sorry. I won’t do it again. Really.” She blew another kiss towards
the door.
“But ferrets....” repeated the voice.
“Sh--sh, sh--sh.”
“Why ferrets?”
“Darling,” said Mrs. Glamber almost sternly, “you really must go on
with your work.”
Minnie came to tea. She put the case--hypothetically at first, as
though it were the case of a third person; then, gaining courage,
she put it personally. It was her own case. Out of the depths of her
untroubled, pagan innocence, Helen Glamber brutally advised her. “If
you want to go to bed with the young man,” she said, “go to bed with
him. The thing has no importance in itself. At least not much. It’s
only important because it makes possible more secret confidences,
because it strengthens affection, makes the man in a way dependent on
you. And then, of course, it’s the natural thing. I’m all for nature
except when it comes to painting one’s face. They say that ferrets....”
But Minnie noticed that she never finished the sentence. Appalled and
fascinated, shocked and yet convinced, she listened.
Public-domain text, read in full here on John Shaqi.
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