English fiction -- 20th century; Short stories, English
“My darling,” said Mrs. Glamber that evening when her husband came
home--for he hadn’t been able to face Minnie; he had gone to the Club
for tea--“who was it that invented religion, and sin, and all that? And
why?”
John laughed. “It was invented by Adam,” he said, “for various little
transcendental reasons which you would probably find it difficult to
appreciate. But also for the very practical purpose of keeping Eve in
order.”
“Well, if you call complicating people’s lives keeping them in order,
then I dare say you’re right.” Mrs. Glamber shook her head. “I find it
all too obscure. At sixteen, yes. But one really ought to have grown
out of that sort of thing by twenty. And at thirty--the woman’s nearly
thirty, you know--well, really....”
In the end, Minnie wrote to Hubert telling him that she had made
up her mind. Hubert was staying in Hertfordshire with his friend
Watchett. It was a big house, the food was good, one was very
comfortable; and old Mr. Watchett, moreover, had a very sound library.
In the impenetrable shade of the Wellingtonias Hubert and Ted Watchett
played croquet and discussed the best methods of cultivating the Me.
You could do a good deal, they decided, with art--books, you know,
and pictures and music. “Listen to Stravinsky’s _Sacre_,” said Ted
Watchett, “and you’re for ever excused from going to Tibet or the
Gold Coast or any of those awful places. And then there’s Dostoievsky
instead of murder, and D. H. Lawrence as a substitute for sex.”
“All the same,” said Hubert, “one must have a _certain_ amount of
actual non-imaginative experience.” He spoke earnestly, abstractedly;
but Minnie’s letter was in his pocket. “_Gnosce teipsum._ You can’t
really know yourself without coming into collision with events, can
you?”
Next day, Ted’s cousin, Phœbe, arrived. She had red hair and a milky
skin, and was more or less on the musical comedy stage. “One foot on
and one foot off,” she explained. “The splits.” And there and then she
did them, the splits, on the drawing-room carpet. “It’s quite easy,”
she said, laughing, and jumped up again with an easy grace that fairly
took one’s breath away. Ted didn’t like her. “Tiresome girl,” he said.
“So silly, too. Consciously silly, silly on purpose, which makes it
worse.” And, it was true, she did like boasting about the amount of
champagne she could put away without getting buffy, and the number of
times she had exceeded the generous allowance and been “blind to the
world.” She liked talking about her admirers in terms which might make
you suppose that they were all her accepted lovers. But then she had
the justification of her vitality and her shining red hair.
“Vitality,” Hubert wrote in his diary (he contemplated a distant date,
after, or preferably before, his death, when these confessions and
aphorisms would be published), “vitality can make claims on the world
almost as imperiously as can beauty. Sometimes beauty and vitality meet
in one person.”
Public-domain text, read in full here on John Shaqi.
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