Brooklyn (New York, N.Y.) -- Fiction; Young women -- Fiction
Daytime was not long enough for its perusal. Night after night, she
sat hunched up in the Poquelin bed and pored over her beloved book.
Sometimes after she read she would run and peer out from her casement
window in the moonlight and scowl over the wilderness that lay below
her, the wilderness that had once been a garden. The cleared space
that stretched for two or three hundred yards before the house was
divided into three flat terraces whose crumbling banks had lost their
once careful outlines; and at the bottom of the lowest terrace a
tottering lattice, sagging with old vines, made a background for the
fountain in whose rubbish-filled depths a chubby cupid struggled
patiently with an impossible marble duck.
"If I could only see how it went--" she would fret, "I can't see which
one of them it is."
For in the back of the Garden book were many folded charts and maps,
so big that they stretched out enormously over the counterpane of the
bed. Sometimes Felicia thought that Mistress Prudence' garden must
have been built after "The Sixteenth Practise"--that was a brave plan
"with three terraces and a fountain at the base," but sometimes she
thought it must be after the "single star cut into cabinets."
At first she contented herself with gardening in the Bowling Green
with Piqueur feebly turning over the weedy sod and Bele tramping to
and fro with barrows of manure. Her Bowling Green was in the very
center of the second terrace. She had discovered that directly she
began.
"In France," she read, "a bowling green differs from what you call a
bowling green in England. We mean no other by this word than certain
hollow sinking and slopes of turf which are practised in the middle of
a parterre. A Bowling Green is the most agreeable compartment of a
garden, when rightly placed most pleasant to the eye beside the
pleasure it affords us of lying on its sloping banks in the shade
during hottest weather."
Only it wasn't so easy to read as it looks now we're writing it over.
For "The Theory and Practise of Gardening" made you rub your eyes and
groan, it was such a puzzling sort of book. To begin with its type was
bewildering with its s's all turned like f's and its italics so thin
you could scarcely decipher them. Besides that, the author, who
remained discreetly anonymous, but none the less unwarrantably
conceited, had a maddening way of spreading over a whole page the way
not to do things--he didn't state at the start that it was the wrong
way he was relating, he just meandered on, letting the reader suppose
that was the rightest way possible as he wrote at length pertaining
to:
"How to grow Box Trees from seed.
Public-domain text, read in full here on John Shaqi.
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