Little Miss Grouch: A Narrative Based on the Log of Alexander Forsyth Smith's Maiden Transatlantic Voyage — John Shaqi
Little Miss Grouch: A Narrative Based on the Log of Alexander Forsyth Smith's Maiden Transatlantic VoyageAdams, Samuel Hopkins
General
Little Miss Grouch: A Narrative Based on the Log of Alexander Forsyth Smith's Maiden Transatlantic Voyage
Adams, Samuel Hopkins
Ocean travel -- Fiction
In the foreground of the dock was an individual who apparently didn't.
He was a fashionable and frantic oldish-young man, who had burst through
the barrier and now jigged upon the pier-head in a manner not
countenanced by the Society for Standardizing Ballroom Dances. At
intervals he made gestures toward the Tyro as if striving, against
unfair odds of distance, to sweep him from the surface of creation. As
the Tyro had never before set eyes upon him, this was surprising. The
solution of the mystery came from the crowd, close-pressed about the
Tyro. It took the form of an unmistakable sniffle, and it somehow
contrived to be indubitably and rather pitifully feminine. The Tyro
turned.
At, or rather underneath, his left shoulder, and trying to peep over or
past it, he beheld a small portion of a most woe-begone little face,
heavily swathed against the nipping March wind. Through the beclouding
veil he could dimly make out that the eyes were swollen, the cheeks were
mottled; even the nose--with regret I state it--was red and puffy. An
unsightly, melancholy little spectacle to which the Tyro's young heart
went out in prompt pity. It had a habit of going out in friendly and
helpful wise to forlorn and unconsidered people, to the kind of folk
that nobody else had time to bother about.
"What a mess of a face, poor kiddy!" said the Tyro to himself.
From the mess came another sniffle and then a gurgle. The Tyro, with a
lithe movement of his body, slipped aside from his position of vantage,
and the pressure of the crowd brought the girl against the rail.
Thereupon the Seven Saltatory Devils possessing the frame of the frantic
and fashionable dock-dancer deserted it, yielding place to a demon of
vocality.
"I think he's calling to you," said the Tyro in the girl's ear.
The girl shook her head with a vehemence which imparted not so much
denial as an "I-don't-care-if-he-is" impression.
Stridently sounded the voice of distress from the pier. "Pilot-boat," it
yelled, and repeated it. "Pilot! Pilot! Come--back--pilot-boat."
Again the girl shook her head, this time so violently that her
hair--soft, curly, luxuriant hair--loosened and clouded about her
forehead and ears. In a voice no more than a husky, tremulous whisper,
which was too low even to be intended to carry across the widening
water-space, and therefore manifestly purposed for the establishment of
her own conviction, she said:
"I wo-won't. I _won't_. I WON'T!!!" At the third declaration she brought
a saber-edged heel down square upon the most afflicted toe of a very
sore foot which the Tyro had been nursing since a collision in the
squash court some days previous. Involuntarily he uttered a cry of
anguish, followed by a monosyllabic quotation from the original
Anglo-Saxon. The girl turned upon him a baleful face, while the
long-distance conversationalist on the dock reverted to his original
possession and faded from sight in a series of involuted spasms.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account