Japan -- History -- Meiji period, 1868-1912 -- Fiction
She watched the swift moving of the jinrikisha wheels, then she saw
Merrit turn at the gate and wave his hat as he joyously called:
"Good-by, Yuki San, God bless you!"
The girl stood still, her eyes on the empty gate. Like a lonely, hurt
child her lip quivered, and she caught it between her teeth to steady
it.
"Ah, Yuki," cried her mother, "some spirit has wished you harm. A drop
of blood rests on your lips."
Yuki San drew her hand across her mouth, and lightly answered that
maybe a robin had tried to steal a cherry. But to herself she
murmured:
"My heart bleed for lonely. He _never_ come back."
CHAPTER V
The following day a host of accumulated duties and various
preparations for the first ceremonious visit of the groom-elect kept
Yuki San's hands and mind busy, and if sometimes a sob rose in her
throat, or her eyes strayed wistfully from her task, she resolutely
refused to let herself dwell upon the past.
The marriage, which had been dutifully accepted as a matter of course
and looked forward to as a financial relief to the entire family, had
never held any particular interest for her, but now even the
preparations, which had hitherto excited her interest and enthusiasm,
found her listless and indifferent.
She would be mistress over a great mansion and many servants, and her
days were to be spent in arranging for the physical comfort of Saito
and the entertainment of his friends.
The arrangement had seemed so simple, and so right, and she had been
gratified that a desirable husband had been found. But now she could
neither understand nor explain to herself her new and strange
resistance. She only knew that for the first time in her life there
was rebellion against the inevitable.
As she rested her tired body before beginning her toilet for the
afternoon, she remembered an American teacher at school who had been
_in love_ with the man she was soon to marry. She remembered how she
had hidden behind the trees to see this young teacher run to the gate
to meet the postman, and her own failure to see why these letters
should bring such joy. She, with other girls, had spent a whole recess
acting this scene amid peals of laughter. Now it all came back to her
with new meaning, and it seemed neither strange nor amusing.
She leaned her head against the open _shoji_ and looked out into the
garden, radiant and beautiful in the high noon of a perfect autumn
day.
The working world paused in a brief sleep and the music of the garden
was hushed, while the insects sought the shadow of green leaves. Peace
was within and without, save in the girl's awakening heart.
"Ah, Sensei," she murmured through her trembling lips. "Then I make
fun for your letter of love. Forgive my impolite. Now I the
understanding have."
Public-domain text, read in full here on John Shaqi.
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