Japan -- History -- Meiji period, 1868-1912 -- Fiction
It was a birthday. Not Yuki Chan's, for that came with the snow-time.
This was the third day of the third month, which in the long ago was
set apart as the big birthday of all little girls born in the lovely
island, and was celebrated by the Festival of Dolls.
Yuki Chan lay with her slim body stretched in the warmth of the sun.
In every graceful line was the imprint of high breeding; her white
face, so unusual with her race, was stamped with the romance and
tragedy of centuries; while her eyes, limpid and luminous, looked out
at the world with eager, questioning interest.
Through the wide-open _shoji_ of the house she caught glimpses of
her father and mother hurrying and holding consultations. She marked
frequent visits to the old warehouse that held the household
treasures, and the bringing out of bundles wrapped in yellow cloth.
The air brought her whiffs of cooking food, and the flower- and
fish-men deposited a fair part of their stock on the porch. But Yuki
Chan was banished from these joys of preparation because of naughtiness,
and as she lay in the warm sunshine she thought of her recent
wickedness. She smiled as she remembered how she had hid her father's
pipe that he might work the faster, and broken the straps of her
mother's wooden shoes, so that she could not go outdoors. She laughed
softly when she thought of the stray cat which she had brought into the
house and coaxed to drink milk while she, with skilful fingers and a
pair of scissors, transformed her smooth fur into a wonderful landscape
garden. Short work had made kitty's head slick and shiny, like a lake,
with a stray bristle or two, which stood for trees. In the middle of her
back stood Fuji, the great mountain, with numberless little Fujis to
keep company. Many winding paths ran down kitty's legs to queer,
shapeless shrines, and it was only when Yuki Chan had insisted on making
a curious old pine-tree with twisted limbs of kitty's short and stubby
tail that trouble ensued, and she had been requested by her mother to
take her honorable little body to the garden.
Yuki Chan remembered her mother's beautiful smile of love as she
gently chided her, and recalled the note of trouble in the kind voice.
Was the mother sorry because she had stuck out a very pink tongue at a
cross-eyed old image that sat on the floor on the very spot that she
wanted to step upon? Or was it--and Yuki Chan grew grave--that the
last _go rin_ had been spent for the new dress she was to wear that
day?
All her short life Yuki Chan had lived in a house of love, but no veil
of affection, no sacrifice, could shield her from the knowledge of
poverty. She had never seen her mother wear but one festival dress,
yet her own little kimono was ever bright and dainty, and even the new
brocade of the dolls' dresses stood alone with the weave of gold and
tinsel.
Public-domain text, read in full here on John Shaqi.
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