Japan -- History -- Meiji period, 1868-1912 -- Fiction
Many little souls had come to her, with hands all crimped and pink,
like new-blown cherry-leaves, only to close their eyes and pass out to
the good god Jizo, who is always waiting to help little children
across the river of death.
In years gone by, night after night sleep had flown before the terror
that another woman would be brought into the house that the family
name might not die out. Silently she would slip out to the little
shrine and pour out passionate words of prayer that just one little
soul might be permitted to live.
No matter how long the night, nor how bitter the struggle, morning
always found her bright and cheerful, bending every effort to invent
new diversions for her husband. She labored to anticipate every wish,
and even though she did without, she provided him the best of comfort.
Working far into the night, secretly disposing of her small personal
treasures, acquiescing in his most trivial statements, she planned
that no slightest gap in the domestic arrangement should suggest
itself to him.
The woman worked and prayed and waited. Then she triumphed. In the
wake of a great snow-storm came the longed-for child, and they called
her Yuki, after the snow that had brought them their wish. Hand in
hand with Yuki Chan came love, and bound the hearts of the man and
woman with ties of a desire fulfilled. From that time to this love had
prevailed, and as Yuki Chan climbed on the porch, besmirching its
shining surface with her muddy little feet, that had been guiltless of
sandals all day, the faces of the two old people lighted up with
sudden joy.
Yuki Chan looked ruefully at the muddy prints she had made and
realized that she had been a most impolite little girl. Remembering
her recent resolve, she sought the eyes in which she had never seen
any light for her save that of love. She drew close, and reaching down
took her mother's hand, hard and cracked by labor, and laying her
cheek against it said, with a voice sure of forgiveness and sweet
desire for atonement:
"Go men nasai."
The mother, with a courtly but playful air, granted her pardon with a
low salutation. Then with a rush of affection that no convention could
stem, she folded the child to her heart and lived another moment of
supreme joy.
The father sat by, making no comment, his eyes bright and twinkling.
Then he suggested that their Majesties, the dolls, had been waiting
long on the shelf. Was it not time they were receiving a visit?
The years of toil were telling on both father and mother, but they
daily refreshed themselves at the overbrimming fountain of Yuki Chan's
youth, and now, as they each took one of her hands to go in to see the
dolls, they were so gay that the child suggested that instead of
walking they should do the new one-two-three-hop she had learned at
the kindergarten.
Public-domain text, read in full here on John Shaqi.
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