Japan -- History -- Meiji period, 1868-1912 -- Fiction
Her tongue ran in ceaseless chatter. Her father and mother hovered
around her, repeating the history of all those wonderful people. Yuki
Chan listened very little, so concerned was she with her own comments,
until she happened to see an anxious look creep into her mother's
eyes. It was something every little girl must know, and if Yuki Chan's
honorable ears refused to open, how would she learn? Then Yuki Chan
nestled close, and gave little pats of love and tried to listen. THE
shadows of the bamboo grew long and slim as the sun kissed them good
night. The sails skimmed homeward on a silver sea as the west covered
its rosy pink in a veil of deepest blue. The young birds in the old
plum-tree did not stir at the loving touch of the mother who, with a
soft bill, searched and sought for the lost one. The plum-blossoms
lingered yet for a night as the air had grown chill.
Within the house Yuki Chan, still dressed, lay on the floor, weary
with the wonders of the day. Her mother took from a small inclosure
beneath a shelf many soft comforts with which she arranged the child's
bed. Yuki Chan, talking all the time in a low monotone, tried to
unravel a tangle in her mind of birds and cats and dolls. It was all
getting unmanageable and very hazy, when her mother gathered her into
her arms, and quickly casting aside her two garments laid her gently
in a bath of caressing warmth. A moment more and the little maiden lay
like a rose-leaf in her bed.
The night-lamp made shadowy ghosts of all it touched, and one gleam of
light, escaping the paper shade, hung like an aureole above the head
of Yuki Chan's mother as she knelt with clasped hands before the
Buddha on the shelf.
Her moving lips had only one refrain: "The child, the child, the
child."
Yuki Chan watched the play of the light in the half-dark room. What
funny things those shadows made, and, strangely enough, one more
wonderful than all the rest grew into the shape of the boy, and his
lips were saying, "Be good."
Then Yuki Chan lost herself in a mist of drowsiness, and her mother
sat by, and kept time with her hand as she chanted rather than sang:
"Sleep, little one, sleep.
The sparrows are nodding.
Beneath the deep willow-trees
The night-lamp is burning.
Thy mother is watching,
Sleep, little one, sleep."
CHAPTER III
Twelve times had the plum-tree scattered its petals to the wind, and
Yuki San [Footnote: The honorific _Chan_, used only in childhood, is
changed to _San_ in later years.] had passed from childhood into
girlhood, and had already touched the border of that grave land
of grown-up, where all the worries lie. For though she was apparently
only a larger edition of the spoiled, impulsive happy child of old,
yet often her eyes were shadowed with the struggle of shielding her
aging father and mother from the poverty that was coming closer day by
day.
Public-domain text, read in full here on John Shaqi.
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