Little sweetheart : $b or, Norman De Vere's protegeeMiller, Alex. McVeigh, Mrs.
Philosophy
Little sweetheart : $b or, Norman De Vere's protegee
Miller, Alex. McVeigh, Mrs.
American fiction -- 19th century; Dime novels
“A bad spell o’ weather, sir,” he said, loquaciously, to the occupant
of the car who had his eyes open. “Uncommon rainy for Florida; been
fallin’ stiddy for two days and nights. ’Counts for the few passengers,
I ’spose. Well, ’tis er ill wind blows nobody good. Better sleepin’
’commodations for the passengers,” glancing around humorously; for this
was twenty years ago, reader, and before the luxurious era of Pullman
sleepers and parlor cars and fast-flying vestibule trains.
Norman de Vere was about to make some brief, courteous answer to the
man’s remarks, but he was prevented by a sudden terrible rumble and
rocking of the car--the swift precursor of one of those dreadful
railway accidents due to heavy rains and weakened bridge foundations
that desolate so many hearts and homes. With a swift instinct he
clasped his sleeping burden tightly to his breast just as the doomed
car reared upward a moment, like a maddened, living creature, only
to collapse the next instant with its freight of human souls and go
crashing down through a broken bridge into a mad hell of seething,
foaming water.
* * * * *
A little river ordinarily insignificant enough, but swollen now to a
torrent by incessant rains for several days, had washed all the mortar
from the stone foundations of the railroad bridge and weakened it so
that the weight of the locomotive had carried it down crashing to the
bed of the river and telescoped the train.
* * * * *
When Norman de Vere realized that, but for a sharp blow on the head
from a heavy timber, he was unhurt, and that he held the struggling
child safe in his arms, it seemed to him that he must have been saved
by a miracle, nothing less.
The whole train was a wreck, and but for the fact that the ladies’ car
was on top of the _débris_, he could never have escaped alive. He was
wedged between two seats of the car, which lay on its side, the windows
uppermost, and over and around surged the raging water, churned into
foam by the rapid descent of the train, and by the explosion of the
locomotive’s boiler as soon as it touched the river. To add to the
horror of the position, the lamps just lighted by the brakeman had
exploded and caught fire, affording a lurid light within the interior
of the wrecked car.
The child in his arms waked and screamed with sudden terror. He hushed
her with a tender word, and listened appalled for another human sound
in that terrible tumult of crashing timbers and raging waters.
But no sound came.
He saw the brakeman’s legs sticking out from under a pile of timbers
that had instantaneously crushed the life from his body. Turning about
in his cramped position, he looked for Sweetheart’s mother and the
drummers.
There was no sign of the slender little black-draped figure, but a
pair of masculine arms protruded from under an overturned seat. He put
Sweetheart down and went to work manfully to extricate the owner.
Public-domain text, read in full here on John Shaqi.
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