We gazed at it, seated and clothed in partial armor, of the old Roman type, and holding a sword across its knees. The great muscles spoke of strength and force, and yet with it all there was an almost benign look upon the military visage. “There is force and real action there, withal, although there is repose,” I said in admiration. THE INSPIRATION THAT COUNTS. “Oh,” said Mr. Ruckstuhl, “that’s it, and that is what it is so hard to get! That is what every sculptor strives for; and, unless he attains it, his work, from my point of view is worthless. There must be life in a statue; it must almost breathe. In repose there must be dormant action that speaks for itself.” “Is most of your work done under inspiration?” I asked. “There is nothing, and a great deal, in so-called inspiration. I firmly believe that we mortals are merely tools, mediums, at work here on earth. I peg away and bend all my energies to my task. I simply accomplish nothing. Suddenly, after considerable preparatory toil, the mist clears away; I see things clearly; everything is outlined for me. I believe there is a conscious and a subconscious mind. The subconscious mind is the one that does original work; it cannot be affected by the mind that is conscious to all our petty environments. When the conscious mind is lulled and silenced, the subconscious one begins to work. That I call inspiration.” “Are you ever discouraged?” I asked out of curiosity. “Continually,” replied Mr. Ruckstuhl, looking down at his hands, soiled with the working clay. “Some days I will be satisfied with what I have done. It will strike me as simply fine. I will be as happy as a bird, and leave simply joyous. The following morning, when the cloths are removed, I look at my precious toil, and consider it vile. I ask myself: ‘Are you a sculptor or not? Do you think that you ever will be one? Do you consider that art?’ So it is, till your task is accomplished. You are your own critic, and are continually distressed at your inability to create your ideals.” Mr. F. Wellington Ruckstuhl is fifty years of age; neither short nor tall; a brilliant man, with wonderful powers of endurance, for his work is more exacting and tedious than is generally supposed. “I have simply worked a month and a quarter on that statue,” he said. “Certain work dissatisfied me, and I obliterated it. I have raised that head three times. My eyes get weary, and I become physically tired. On such occasions I sit down and smoke a little to distract my thoughts, and to clear my mind. Then my subconscious mind comes into play again,” he concluded with a smile.