Liverpool a few years since: by an old stagerAspinall, James
History
Liverpool a few years since: by an old stager
Aspinall, James
Liverpool (England) -- Biography; Liverpool (England) -- History
The fast-sailing vessels were compelled to hoist no more
canvass than would enable their slow companions to keep up with them. It
was like the bed of Procrustes applied to sea affairs. And what fun it
was to watch the crowd of vessels as they rounded the narrow channel by
the Rock; such bumping and thumping, such fidgeting and signal-firing on
the part of the guardian angel to check the fast ones, and stimulate the
slow ones, and keep them all well together.
Nor must we forget here to mention another class of vessels, which made a
very remarkable and prominent feature of the days which we are
describing. We speak of the privateer. Liverpool was famous for this
kind of craft. The fastest sailing vessels were, of course, selected for
this service; and, as the men shipped on board of them were safe, in
virtue of the letter of marque, from impressment, the most dashing and
daring of the sailors came out of their hiding-holes to take service in
them. On the day when such a vessel left the dock, the captain, or
owner, generally gave a grand dinner to his friends, and it was a great
treat to be of the party. While the good things were being discussed in
the cabin, toasts given, speeches made, and all the rest of it, she
continued to cruise in the river, with music playing, colours flying, the
centre of attraction and admiration, “the observed of all observers,” as
she dashed like a flying-fish through the water. And then the crew? The
captain was always some brave, daring man, who had fought his way to his
position. The officers were selected for the same qualities; and the
men—what a reckless, dreadnaught, dare-devil collection of human beings,
half-disciplined, but yet ready to obey every order, the more desperate
the better. Your true privateer’s-man was a sort of “half-horse,
half-alligator, with a streak of lightning” in his composition—something
like a man-of-war’s man, but much more like a pirate—generally with a
superabundance of whisker, as if he held, with Samson, that his strength
was in the quantity of his hair. And how they would cheer, and be
cheered, as we passed any other vessel in the river; and when the eating
and drinking and speaking and toasting were over, and the boat was
lowered, and the guests were in it, how they would cheer again, more
lustily than ever, as the rope was cast off, and, as the landsmen were
got rid of, put about their own vessel, with fortune and the world before
them, and French West Indiamen and Spanish galleons in hope and prospect.
Those were jolly days to some people, but we trust we may never see the
like of them again. The dashing man-of-war, and the daring privateer,
dazzled the eyes of the understanding, and kindled wild and fierce
enthusiasm on all sides. The Park and Tower guns and the _Extraordinary
Gazette_ confirmed the madness, and kept up a constant fever of
excitement. But count the cost. Lift up the veil, and peep at the
hideous features of the demon of war.
Public-domain text, read in full here on John Shaqi.
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