[71] Watt seems to have made other organs besides those above mentioned. Not long since a barrel-organ of his construction was offered for sale at Glasgow. It was originally in the form of a table, about three feet square, having no appearance of a musical instrument externally. At this table, when Watt and his friends were seated, he would set the concealed mechanism in action, and surprise them with the production of the music. It has since been mounted with an organ front and sides, with gilt pipes. When in proper tune it is of considerable power and pleasing harmony; and continues orthodox in its psalm tunes, which range from “Martyrs” to the “Old Hundred.” A correspondent writes as follows:--“A large organ made and used by Watt when he had his shop in Glasgow, was disposed of by him, when he finally left this city. It came into the possession of the late Mr. Archibald M‘Lellan, coach-builder, Miller Street, Glasgow, and he had it fitted up in his elegant residence in that fine old street. I have heard it played by Mr. M‘Lellan. After his death it was sold, and purchased by Mr. James G. Adam of the Denny print-works. Mr. Adam died, and the organ was advertised for sale, in 1864, and purchased for 10_l._, by Adam Sim, Esq., of Coulter Mains, in whose possession it now is. Mr. Sim has authentic documents to prove that this organ was really James Watt’s.” The leisure time which Watt did not occupy with miscellaneous work of this sort, he spent in reading. He did not want for books, as the College library was near at hand; and the professors as well as students were willing to lend him from their stores. He was not afraid of solid, heavy, dry books, provided he could learn something from them. All were alike welcome; and one of his greatest pleasures was in devouring a novel, when it fell in his way. He is even said to have occupied himself in writing tales and verses when he had nothing else to do. As none of his attempts have been preserved, we cannot offer an opinion upon them; but it is doubtful whether Watt’s poetry and fiction would display the same originality and power of invention as his steam-engine. The only youthful exercises of his which have been preserved are anything but poetical. One of them, at Heathfield, is a ‘Treatise on Practical Megethometry;’ and another is a ‘Compendium of Definitions,’ in Latin, by Gerard de Vries, both written in a neat round hand.