That Miss More's efforts in behalf of virtue should be opposed by those against whom they were aimed, will not surprise us. But she was attacked from a quarter whence she had a right to expect sympathy and support. The nature of the attack will be learned from a letter written some years afterwards: "I will say, in a few words, that two Jacobin and infidel curates, poor and ambitious, formed the design of attracting notice and getting preferment by attacking some charity schools--which, with no small labor, I have carried on in this country for near twenty years--as seminaries of vice, sedition, and disaffection. At this distance of time,--for it is now ended in their disgrace and shame,--it will make you smile when I tell you a few of the charges brought against me, viz., that I hired two men to assassinate one of these clergymen; that I was actually taken up for seditious practices; that I was with Hadfield in his attack on the king's life. At the same time they declared--mark the consistency--that I was in the pay of the government, and the grand instigator of the war, by my mischievous pamphlets. That wicked men should invent this, is not so strange as that they should have found magazines, reviews, and pamphleteers, to support them. My declared resolution never to defend myself certainly encouraged them to go on. How thankful am I that I kept that resolution! though the grief and astonishment excited by the combination against me nearly cost me my life." There is not space to go at large into an account of this persecution, which was continued for several years. The most inveterate of her enemies was the curate of her own parish, who was named Bere, and the most distressing result to herself was being obliged to discontinue the school at that place. But, whilst laboring so earnestly for the poor and the humble, Miss More was still mindful of the wants of the higher classes, and, in the midst of her anxiety and distress, which very seriously affected her health, she found time to compose the "Strictures on Female Education," for their benefit. All her practical admonitions, and all her delineations of female excellence, were afterwards brought together in the character of Lucilla, in the novel of "Coelebs in Search of a Wife," who is a true representative of feminine excellence within the legitimate range of allotted duties. She did not venture on publishing this work without much anxious hesitation. "I wrote it," she says, "to amuse the languor of disease. I thought there were already good books enough in the world for good people, but that there was a large class of readers, whose wants had not been attended to--the subscribers to the circulating library. A little to raise the tone of that mart of mischief, and to counteract its corruptions, I thought an object worth attempting." It was published without her name, and though many at once recognized the style, she herself did not acknowledge it till it had passed through many editions.