Lives of Fair and Gallant Ladies. Vol 1Brantôme, Pierre de Bourdeille
History
Lives of Fair and Gallant Ladies. Vol 1
Brantôme, Pierre de Bourdeille
Erotic literature
In a word, she did in her day so excellently and sweetly practise love,
and did win her such gallant lovers, that whenever she did quit her
lodging now and again to walk abroad in the city, there was talk of
her enough to last a month, as well for her beauty, her fair and rich
attire, her gallant bearing and engaging mien, as for the ample suite
of courtiers and lovers and great lords which went with her, and did
follow and attend her like veritable slaves,—an honour she did take
with no ill grace. And ambassadors from foreign lands, when they did
return to their own country, would ever find more delight in tales
of the beauty and wondrous excellence of the divine Flora than in
describing the greatness of the Roman State. And above all would they
extol her generosity, a thing contrary to the common bias of suchlike
dames; but then she was out of the common altogether, seeing she was of
noble origin.
Eventually she did die so rich and opulent that the worth of her money,
furniture and jewels were enough to rebuild the walls of Rome, and
furthermore to free the State of debt. She did make the Roman People
her heir in chief; and in memory thereof was erected at Rome a very
sumptuous Temple, which was called from her name the Florianum.
The first Festival ever the Emperor Galba did celebrate was that of the
fond Flora, at the which ’twas allowed all Roman men and women to do
every sort of debauchery, dissoluteness, abomination and extravagance
they chose and could imagine. Indeed _she_ was deemed the most
religious and most gallant dame, which on that day did best play the
dissolute, debauched and abandoned wanton.
Think of it! Never a _fiscaigne_ (’tis a lascivious dance the loose
women and Moorish slave-girls dance on Sundays at Malta publicly
in the open square), nor saraband did come near these Floralia for
naughtiness; and never a movement or wanton posture or provocative
gesture or lascivious twist and twirl did these Roman dames omit. Nay!
the more dissolute and extravagant the figures she did devise, the
more gallant and gay was deemed the performer; for the Romans did hold
this creed that the more wanton and lecherous the gesture and carriage
wherewith a woman did approach the Temple of this goddess, the more
like was she to win the same charms and opulence Flora herself had
enjoyed.
Public-domain text, read in full here on John Shaqi.
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