Lives of Fair and Gallant Ladies. Vol 2.Brantôme, Pierre de Bourdeille
History
Lives of Fair and Gallant Ladies. Vol 2.
Brantôme, Pierre de Bourdeille
Erotic literature
Francis I. therefore brought knighthood into flower. He considered a
nobleman the foremost representative of the people and prized chivalry
more than anything else. The court surrendered itself to a life of
gaiety and frivolity; even at this period the keeping of mistresses
became almost an official institution. “I have heard of the king’s
wish,” Brantôme relates, “that the noblemen of his court should not
be without a lady of their heart and if they did not do as he wished
he considered them simpletons without taste. But he frequently asked
the others the name of their mistresses and promised to help and to
speak for them. Such was his kindness and intimacy.” Francis I. is
responsible for this saying: “A court without women is like a year
without a spring, like a spring without roses.” To be sure, there was
also another side to this court life. There were serious financial
troubles, corruption in administration and sale of offices. The Italian
architects who constructed the magnificent buildings of Saint Germain,
Chantilly, Chambord and Chenonceaux were by no means inexpensive. Great
interest was also taken in literary things. A more refined French was
developed at this period. In Blois a library, Chambre de Librarye,
was established. All of the Valois had great talent in composing
poetic epistles, songs and stories, not merely Marguerite of Navarre,
the sister of Francis I., who following the example of her brother
was a patroness of the arts. To be sure, mention is also made of the
“terrifying immorality” in Pau, even though this may not have been
so bad. Brantôme is already connected with this court life in Pau.
His grandmother, Louise of Daillon, Seneschal of Poitiers, was one
of the most intimate ladies-in-waiting of the Queen of Navarre. His
mother, Anne of Bourdeille, is even introduced in several stories of
the _Heptameron_. She is called Ennasuite, and his father Francis of
Bourdeille appears as Simontaut. Life in the Louvre became more and
more lax. Francis I., this royal Don Juan, is even said to have been
a rival of his son, without our knowing, however, whether this refers
to Catherine of Medici or to Diana of Poitiers. Another version of the
story makes Henri II. a rival of his father for the favor of Diana of
Poitiers. But the well known revenge of that deceived nobleman which
caused the death of Francis I. was entirely unnecessary. It is said
that the king had been intentionally infected. He could not be healed
and died of this disease. At any rate, his body was completely poisoned
by venereal ulcers, when he died. This physical degeneration was a
terrible heritage which he left to his son, Henri II. (1547–1550).
Public-domain text, read in full here on John Shaqi.
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