We determined to have the illustrations one of the very best features of the book, fully in keeping with the subject matter; and, wherever possible, absolutely authentic. For this reason alone, the publication has been held back several months, the publishers sparing neither pains nor expense in procuring pictures from photographers and collectors, who made a specialty of the Indian, such as D. F. Barry, Drake, the Field Museum, the Newberry Library and the Ethnological Bureau at Washington; some of the latter being copies of paintings made before photography was known. We also procured photographs of several rare paintings never published in any book before. Should the book prove instructive in demonstrating that there is a brighter, better side to Indian life and character than is usually seen, the author will feel that he has not written in vain, and he will be gratified if, in addition to this, it also gives pleasure. {Illustration: Cofachiqui, the Indian Princess, presenting the string of pearls to De Soto.} CHAPTER I. Cofachiqui, the Indian Princess. A True Story of De Soto and His Cavaliers. Cofachiqui seems to have been the name of a populous and wealthy Indian province visited by Hernando De Soto and his army of adventurers and cavaliers in their wanderings in search of gold. They also applied this name to the beautiful and intelligent young queen or princess who ruled the Indians of this and a confederation of neighboring tribes. It is impossible to trace the route traversed by De Soto, as it was at times an aimless wandering through what is now the States of Florida, Georgia, and, perhaps, the border of South Carolina. But Indian traditions locate Yupaha, the capital of the province of Cofachiqui, at what is now Silver Bluff, on the east bank of the Savannah river, in Barnwell county, South Carolina. From time to time rumor reached De Soto and his men of this great princess, a veritable "She-Who-Must-Be-Obeyed," whose subjects were so devoted and faithful that her slightest wish was law.