Lives of Famous London Beggars: With Forty Portraits of the Most Remarkable. — John Shaqi
Lives of Famous London Beggars: With Forty Portraits of the Most Remarkable.Smith, John Thomas
History
Lives of Famous London Beggars: With Forty Portraits of the Most Remarkable.
Smith, John Thomas
Beggars -- England -- London
He is a foreigner, and probably a Frenchman; at all events he professed
to be so on the commencement of the war; but having acquired a tolerable
stock of English, and perhaps not choosing to return home, he now
declares himself "_A poor Spaniard Man_."
Sometimes he will, by an artful mode of singing any stuff that comes
into his head, and by merely sounding the last word of a line, so
contrive to impose upon the waggoners and other country people, as to
make them believe that he fought in the field of Waterloo.
"Poor fellow," exclaimed a spectator, "he has been in the battle of
Waterloo." "_Yes, my belove friends_," returned the mendicant, "_De
money de money go very low too_."
However, this fellow is now and then detected, in consequence of a
picture, which is painted on a tin plate and fastened to his breast,
being the portrait of and worn many years ago by a marine, who had lost
his sight at Gibraltar. His hair, which is sometimes bushy, is now and
then closely put under his hat, or tied in a tail; and when he alters
his voice, he becomes a different character--the form of a decrepit
vender of matches. The seated beggar in this plate is frequently to be
seen at the wall of Privy Chambers; he never asks charity, nor goes any
great distance from Westminster, where he resides.
[Illustration: PLATE II.
A blind beggar well known at fairs near the metropolis; declares himself
"_a poor Spaniard man_."]
The following plate of a walking beggar, attended by a boy, was taken
from a drawing made in West Smithfield. The object of it is well known
about Finsbury Square and Bunhill Row; sometimes he stands at the gates
of Wesley's meeting-house. His cant is, "Do, my worthy, tender-hearted
Christians, remember the blind; pray pity the stone dark blind." The
tricks of the boy that attended this man when the drawing was made,
brought to mind the sportive Lazarillo De Tormes, when he was the guide
of a beggar; from which entertaining history there are two very spirited
etchings by Thomas Wyck,--the one, where he defrauds his master when
partaking of the bunch of grapes; and the other, where he revenges a
thrashing received from his master by causing him to strike his head
against a pillar, and tumble into a ditch that he was attempting to leap.
[Illustration: PLATE III.
Blind beggar attended by a boy. From a drawing made in West Smithfield.
Well known about Finsbury Square and Bunhill Row. His cant is, "Do, my
worthy tender-hearted Christians, remember the blind; pray, pity the
stone-dark blind."]
The next subject is a tall blind man, with a long staff, with which he
strikes the curbstones. He is seldom to be seen in any particular place,
and was drawn when he stood against the wall of Mr Whitbread's brewhouse.
Public-domain text, read in full here on John Shaqi.
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