To Richter this was a death-blow. He went on writing, while the tears dropped upon his page. He could never bear the sight of a book his boy had touched, and the word "philology," his son's favorite study, cut him to the heart. At the end of three months he wrote to a friend, "My being has suffered not merely a wound, but a complete cutting off of all joy. My longing after him grows always more painful." Broken in health he visited Dresden; but the end was near. The sight of the left eye at first failed him, then the right, till he was left in complete darkness. He still hoped to finish his autobiography, and the "Immortality of the Soul," begun on the very day Max was buried; but this was denied him. Once only did his sorrows overpower him, when pitifully looking toward the window, he cried out as Ajax in the "Iliad":-- "Light! light only, then may the enemy come!" The devoted wife and two daughters grew unspeakably dear to him. When tired with thinking, he would seat himself at the piano, and play till he, as well as those who heard him, would burst into tears. On the 14th of November, 1825, he sat in his chamber, his youngest child climbing on the back of his chair, and laying her face against her father's. It was only noon, but thinking it was night, Richter said, "It is time to go to rest." He was wheeled into his sleeping apartment, and some flowers laid on the bed beside him. "My beautiful flowers! My lovely flowers!" he said, as he folded his arms, and soon fell asleep. His wife sat beside him, her eyes fixed on the face of the man she loved. About six the doctor arrived. The breath came shorter, the face took on a heavenly expression, and grew cold as marble. The end had come. He was buried by torchlight, the unfinished manuscript of the "Immortality of the Soul" being borne upon his coffin, while the students sung Klopstock's hymn, "Thou shalt arise, my Soul." His more than one hundred volumes and his noble, generous life are his monuments. He said, "I shall die without having seen Switzerland or the ocean, but the ocean of eternity I shall not fail to see." LEON GAMBETTA. On January 6, 1883, Paris presented a sad and imposing spectacle. Her shops were closed; her public buildings and her homes were draped in black. Her streets were solid with hundreds of thousands, all dispirited, and many in tears. A large catafalque covered with black velvet upheld a coffin shrouded with the tricolor. From a vase at each corner rose burning perfume, whose vapor was like sweet incense. Six black horses drew the funeral car, and two hundred thousand persons followed in the procession, many bearing aloft wreaths of flowers, and shouting, "Vive la Republique! Vive la Gambetta!"