The body lay in state in the great music-room till a larger steamer came to bear it to Bergen. This was met by a convoy of sixteen steamers ranged on either side; and as the fleet approached the city, all flags were at half-mast, and guns were fired, which re-echoed through the mountains. The quay was covered with juniper, and the whole front festooned with green. As the boat touched the shore, one of Ole Bull's inimitable melodies was played. Young girls dressed in black bore the trophies of his success, and distinguished men carried his gold crown and order, in the procession. The streets were strewn with flowers, and showered upon the coffin. When the service had been read at the grave by the pastor, Bjornson, the famous author, gave an address. After the coffin had been lowered and the mourners had departed, hundreds of peasants came, bringing a green bough, a sprig of fern, or a flower, and quite filled the grave. Beautiful tribute to a beautiful life! [Illustration: MEISSONIER.] MEISSONIER. The old maxim, that "the gods reward all things to labor," has had fit illustration in Meissonier. His has been a life of constant, unvaried toil. He came to Paris a poor, unknown boy, and has worked over fifty years, till he stands a master in French art. Jean Louis Ernest Meissonier was born at Lyons, in 1811. His early life was passed in poverty so grinding that the great artist never speaks of it, and in such obscurity that scarcely anything is known of his boyhood. At nineteen he came to Paris to try his fate in one of the great centres of the world. He, of course, found no open doors, nobody standing ready to assist genius. Genius must ever open doors for itself. The lad was a close observer, and had learned to draw accurately. He could give every variety of costume, and express almost any emotion in the face of his subject. But he was unknown. He might do good work, but nobody wanted it. He used to paint by the side of Daubigny in the Louvre, it is said, for one dollar a yard. Now his "Amateurs in Painting," a chef-d'oeuvre of six inches in size, is bought by Leon Say for six thousand dollars. Such is fame. Time was so necessary in this struggle for bread, that he could sleep only every other night; and for six months his finances were so low, it is stated, that he existed on ten cents a week! No wonder that the sorrows of those days are never mentioned. His earliest work was painting the tops of bon-bon boxes, and fans. Once he grew brave enough to take four little sepia drawings to an editor to illustrate a fairy tale in a magazine for children. The editor said the drawings were charming, but he could not afford to have them engraved, and so "returned them with thanks."