Lives of the early Medici : $b As told in their correspondence
History
Lives of the early Medici : $b As told in their correspondence
Florence (Italy) -- History; Medici, Cosimo de', 1389-1464; Medici, House of; Medici, Lorenzo de', 1449-1492; Medici, Piero de', 1416-1469
My best thanks are due to Cavaliere Angelo Bruschi, librarian of the
Marucelliana Library in Florence, without whose valid assistance and
advice I should have had great difficulty in collecting the letters;
to Dr. Dorini of the Florentine Archives, whose aid was invaluable in
helping me to decipher the almost illegible manuscripts; and to Signor
Gugliemo Volpi, several of whose pamphlets and articles are quoted. I
must also thank the Baroness Mollinary of Como for so kindly having
photographed for me her most interesting early portrait of Lorenzo
the Magnificent, never before published; and Dr. Giovanni Poggi,
director of the Bargello in Florence, for giving me the photograph
of Lorenzo’s portrait at Poggio a Caiano. The Baroness Mollinary’s
picture is one of the many that belonged to her ancestor Paolo Giovio,
and bears a strong resemblance to the fine miniature of Lorenzo, the
property of M. Prosper Villon, reproduced in _Le Musée de Portraits
de Paul Jove_ by M. Eugène Muntz, in which, however, Lorenzo looks
rather older. Both show the same humorous, kindly face, with a strong
mouth, determined jaw, and fine eyes. In the miniature the head and
shoulders are against and under a baldaquin, on each side of which is a
small bit of landscape. Below is inscribed _Laur M P P_ and the Medici
arms (with six balls), surmounted by Lorenzo’s device, three ostrich
feathers, white, green, and red (faith, hope, and charity), while
a floating ribbon behind bears his motto _Semper_. The portrait at
Poggio a Caiano is perhaps by Alessandro Allori, therefore of course
not contemporary; it may be a copy of an older and lost picture. I
must also express my great gratitude to the Rev. Principal Lindsay of
Glasgow for kind help and criticism during the progress of my work.
The portrait of Piero de’ Medici in the chapel of the Riccardi palace,
by Benozzo Gozzoli, has been given sometimes as that of his father
Cosimo, or even of his son Lorenzo. But if the bust by Mino da Fiesole,
in the Bargello, represents Piero, then he is the man grasping his
horse’s mane with one hand as he rides by the side of his father
Cosimo, who, as we know, generally rode a mule.
JANET ROSS.
CONTENTS
PAGE
INTRODUCTORY 1
COSIMO DI GIOVANNI DE’ MEDICI (1389-1464) 7
Contessina de’ Medici to her husband Cosimo in Ferrara 10
Cosimo de’ Medici to Averardo de’ Medici, Ambassador
to Ferrara 11
Contessina de’ Medici to her son Giovanni at Ferrara 14
Cosimo de’ Medici to Averardo de’ Medici at Pisa 15
Cosimo de’ Medici to Averardo de’ Medici 16
Public-domain text, read in full here on John Shaqi.
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