Lives of the Founders of the British Museum, Part 2 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.Edwards, Edward
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Lives of the Founders of the British Museum, Part 2 of 2: With Notices of Its Chief Augmentors and Other Benefactors, 1570-1870.
Edwards, Edward
Book collectors -- Great Britain; British Museum
‘I have received,’ continues Sir Charles FELLOWS, ‘from Mr. Benjamin
GIBSON of Rome a letter in reference to these bas-reliefs: his
interpretation of this mysterious subject appears far the best that I
have yet heard; and from finding the district to have been in all
probability the burial-place of the kings, it becomes the more
interesting. Mr. GIBSON writes—“The winged figures on the corners of the
tomb you have discovered in Lycia, represented flying away with
children, may with every probability be well supposed to have a
reference to the story of the Harpies flying away with the daughters of
King PANDARUS. This fable we find related by HOMER in the _Odyssey_,
lib. xx, where they are stated to be left orphans, and the gods as
endowing them with various gifts. Juno gives them prudence, Minerva
instructs them in the art of the loom, Diana confers on them tallness of
person, and lastly Venus flies up to Jupiter to provide becoming
husbands for them; in the mean time, the orphans being thus left
unprotected, the Harpies come and ‘snatch the unguarded charge away.’
STRABO tells us that PANDARUS was King of Lycia, and was worshipped
particularly at Pinara. This tomb becomes thus very interesting; which,
if it be not the tomb of PANDARUS, shows that the story was prevalent in
Lycia, and that the great author of the _Iliad_ derived it from that
source. With this clue, we have no difficulty in recognising Juno on the
peculiar chair assigned to that goddess, and on the same side is Venus
and her attendants; upon another is probably represented Diana,
recognised by the hound. The seated gods are less easily distinguished.
[Sidenote: _Travels and Researches in Asia Minor_, pp. 336–340.] In the
Harpies, at the four corners of the tomb, we have the illustration of
those beings as described by the classic writers.”’
[Sidenote: MANY SUBSEQUENT DISCOVERIES; (THE DETAILS HERE NECESSARILY
PASSED OVER).]
Every lateral excursion made by Sir C. FELLOWS, and by his companions in
travel, added to his collection rich works of sculpture, and not a few
of them added many varied and most interesting minor antiquities. But I
must needs resist all temptation to enlarge on that head, though the
temptation is great. The twentieth and subsequent chapters of the book
itself (I refer to the _collective_ but abridged ‘_Travels and
Researches in Asia Minor_’ of 1852) will abundantly repay the reader who
is disposed to turn to them—whether it be for a renewed or for a new
reading.
[Sidenote: THE DIFFICULTIES OF TRANSPORT. Jan., 1842.]
Public-domain text, read in full here on John Shaqi.
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