There is something forcible and majestic attached to the name of the father of French tragedy. As Æschylus displayed a sublime energy before the beauty of Sophocles, and the tenderness of Euripides threw gentler graces over the Greek theatre, so (if we may compare aught French to the mightier Athenian), before Racine added elegance and pathos, did Corneille, in heroic verse and majestic situation, impart a dignity and simplicity to the French drama afterwards wholly lost. We know little of him--a sort of shadowy indistinctness confounds the course of his life; but in the midst of this obscurity we trace the progress of a master mind--a man greater than his works, and yet not so great; who conceived ideas more sublime than any he executed, and who yet was held back from achieving all of which he might have been capable by a certain narrowness of taste. Had Corneille been English or Spanish, unfettered by French dramatic rules, unweakened by the jejune powers of French verse, his talent had shown itself far more mighty. As it is, however imperfect his plays may be, we admire the genius of the man far more than that of his successors, as displayed in the same career. It has been observed, that Shakspeare himself never portrayed a hero--a man mastering fate through the force of virtue. Corneille has done this; and some of his verses are instinct with an heroic spirit worthy a language more capable of expressing them. Pierre Corneille, master of waters and forests in the viscounty of Rouen, and Marthe Le Pesant, a lady of noble family, were the parents of the poet, Pierre Corneille, surnamed the great. They had two other children; Thomas, who followed his brother's career, and was a dramatic author; and Marthe, who also shared the talents of this illustrious family. She was consulted by her brother, who read his plays to her before they were acted. She married, and was the mother of Fontenelle, the author. Pierre was a pupil of the Jesuits of Rouen, and always preserved feelings of gratitude towards that society. He was educated for the bar, but neither displayed taste for, nor obtained any success in, this career; while the spirit of the age and his own genius pointed out another, in which he acquired high renown.