we see at once the various motives of action which rendered him eager to crush a quarrel between two influential families by uniting them in marriage. Corneille makes the scene take place at Seville, a city not in possession of the Spaniards till many years after. Certainly, the countryman of Shakspeare have no right to be severe on anachronisms; but the reason Corneille gives for his choice of place displays slender knowledge of the ancient state of a neighbouring country, or even of its geography. He says he does it to make the sudden incursion of the Moors, and the unprepared state of the king, more probable, by causing the attack to come by sea; when, in fact, in those days the boundaries of the warring powers were so uncertain, and the inroads so predatory, that nothing was more frequent than unforeseen invasions; and, besides, Seville is on the Guadalquivir, and several miles from the coast. The real interest of the play, resting on the position of Rodrigo, who, despite his affection for Ximena, avenges his father, and of the miserable daughter, who feels her attachment for her lover survive the death of her parent, and the mutual struggles that ensue, overpowers these minor defects, aided as it is by powerful language and energy of passion. The success of the tragedy was unprecedented, it was received with enthusiasm in Paris, and all France re-echoed the praise, till a sort of epidemic transport was spread through the country. It became a national phrase to applaud any thing or person by calling them as excellent as the Cid (_beau comme de Cid_); the name spread through the world; translations of the play were made in all languages; a knowledge of it became incorporated with all minds. "I knew two men," says Fontenelle, in his life of Corneille, "a soldier and a mathematician, who had never heard of any other play that had ever been written; but the name of the Cid had penetrated even the barbarous state in which they lived."