Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
In truth, Corneille's merit did not, as with many Frenchmen, lie on the
surface. Conscious of his own desert, ambitious of glory, proud, yet
shy, he shrunk from society where all excellence is despised that does
not sparkle and amuse. We are inclined to believe from these
considerations that his migration to Paris is attributable rather to his
brother than to himself.
Thomas Corneille was twenty years the junior. The brothers had married
two sisters of the name of De Lampériere, between whom existed the same
difference of age. The family was united by all the bonds of affection
and virtue. Their property, even, was in common; and it was not until
after Corneille's death that the inheritance of their wives was divided,
and that each sister received her share. The brothers were fondly
attached, and lived under the same roof. We are told that Thomas wrote
verses with much greater facility than Pierre, and he well might,
considering what his verses are; and, when Pierre wanted a rhyme, he
opened a trap door communicating with his brother's room, and asked him
to give one. Nor was Pierre less attached to his sister, to whom he was
accustomed to read his pieces when written. She had good taste and an
enlightened judgment, and was worthy of her relationship to the poet.
Thomas Corneille had lately met with success in the same career as his
brother. His play of "Timocrates" was acted for six months together; and
the king went to the unfashionable theatre of the Marais, at which it
was brought out, for the purpose of seeing it. Nothing could be more
dissimilar than the productions of the brothers. Thomas Corneille had
merit, and one or two of his plays ("Le Comte d'Essex" in particular)
kept possession of the stage: he had, however, knack instead of genius.
He could contrive interesting situations to amuse the audience; but his
verses are tame, his dialogue trivial, his conceptions altogether
mediocre. Still, in its day, success is success, and, under its
influence, the younger Corneille aspired to the delights of a brilliant
career in the capital.
[Sidenote: 1662.
Ætat.
56.]
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