The great and lasting blame attached to him arises from the inveterate and bitter hostility he expressed to Christianity. The texture of his mind partly occasioned this. He was incapable of understanding or feeling the sublime, the simple, and the pure. The poetry of the Bible was a dead letter to him; and this may be the more readily accounted for, as the living French poet, La Martine, whose nature is pious and reverential, mentions that he never felt its sublimity till a few years ago, when translated by his friend M. de Genoude. Impurity and grossness was also a part of Voltaire's nature; and these led him to depreciate the beauty of the Saviour's character, and the morality of the gospel. The French clergy of those days must bear, however, much of the blame. Voltaire ardently desired to crush a church which, in power, showed itself utterly devoid of the principles of Christianity. Arnaud, Fénélon, the recluses of Port Royal, and the Quietists, had been its victims. Racine, Boileau, men of highly moral and pious characters, were injured and calumniated; and this because they did not belong to the reigning party in the church. What wonder, then, that Voltaire and his friends were led to despise men who made their religion the pretence for indulging their worst passions, and were even induced to think ill of the system of which they proclaimed themselves the sole fitting supports. Let Christians be real disciples of the Gospel, and men like Voltaire will neither have the power nor the will to injure the religion they profess. We have no space for elaborate criticism of Voltaire's works. We have alluded to many in the progress of this biography. His "Historical Essay on the Manners and Spirit of Nations," in spite of its mistakes in facts and errors of opinion, is a monument of vast genius. His "Age of Louis XIV." is a beautiful work, though we are not sure that his mode of dividing the subject is the best. Many long chapters, devoted to the narration of wars, unmixed by the detail of individual passions or public struggles, which are thrown into separate portions of the work, break and weaken the interest.