Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2) — John Shaqi
Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
With these feelings he thought it necessary to write a defence. He
proposed, at one time, entering on a lawsuit. And, to add to his
troubles, his friend Thiriot acted a weak, tergiversating part. Weak in
health, irritated in temper by excessive application, he was in a state
of too great excitement to judge calmly and act with dignity. For six
months every occupation was postponed to his desire of vengeance; a
serious attack of illness was the consequence. With this unfortunate
susceptibility when defamed, we must contrast his patience under every
other species of annoyance, and his constant benevolence. He suffered
various pecuniary losses at this time, but never complained, nor ceased
to benefit several literary men who had no resource except in his
generosity.
To return to Cirey and its letter-writing guest. Madame de Graffigny's
own turn for suffering came at last. The bigotry and severity of the
French government with regard to the press, while cardinal Fleuri was
minister, kept Voltaire and his friend in a continual state of
uneasiness. Twice since his retirement to Cirey he had been obliged to
fly to Holland to escape a _lettre de cachet_; and, meanwhile, he could
not resist writing satires on religion and government, which he read to
his friends; and, their existence becoming known, the cardinal was on
the alert. He had declared that if his burlesque of the "Pucelle"
appeared, the author should end his days in the Bastille. Madame du
Châtelet was more cautious and more fearful than Voltaire himself; and
the imprudence of the latter, and the frightful evils that impended, did
any treacherous friend either lay hands on any portion of the
manuscript, or have a memory retentive enough to write it after it was
read aloud, is in some degree an excuse for the otherwise unpardonable
liberty she took to waylay, open, and read the letters of her guests.
Madame de Graffigny had been delighted with a canto of "Joan," and sent
a sketch of its plan in a letter to her friend. M. Devaux, in answer,
simply replied, "The canto of 'Joan' is charming." The letter containing
these words was opened by madame du Châtelet. Her terror distorted the
meaning of the phrase, and represented in frightful colours the evil
that would ensue; for she fancied that madame de Graffigny had in some
manner possessed herself of, and sent to Lunéville, a canto of a poem
so forbidden and guarded, that she had prevented Voltaire from
communicating any portion of it to the prince royal of Prussia, lest any
accidental discovery should be made. The storm broke unexpectedly and
frightfully. Voltaire learnt and shared his friend's apprehensions. As
a means of discovering the extent of the mischief, he, unexpectedly, the
same evening, after madame de Graffigny had retired to her room, and was
occupied writing letters, visited her there, saying, that he was ruined,
and that his life was in her hands; and in reply to her expressions of
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