Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo GaddiVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo Gaddi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
walls and panels, and to making men more devout and more upright
thereby, to the despite of the demons; wherefore, these demons having a
grudge against us for this, as beings that have greater power by night
than by day they come and play us these tricks, and worse tricks will
they play if this use of rising for night-work is not given up
completely." With these and many other speeches Buffalmacco knew so well
how to manage the business, being borne out by what Sir Priest kept
saying, that Tafo gave over rising for night-work, and the devils ceased
going through the house at night with little lights. But Tafo beginning
again, for the love of gain, not many months afterwards, having almost
forgotten all fear, to rise once more to work in the night and to call
Buffalmacco, the cockroaches too began again to wander about; wherefore
he was forced by fear to give up the habit entirely, being above all
advised to do this by the priest. Afterwards this affair, spreading
throughout the city, brought it about that for a time neither Tafo nor
other painters made a practice of rising to work at night. Later, and no
long time after this, Buffalmacco, having become a passing good master,
took leave of Tafo, as the same Franco relates, and began to work for
himself; and he never lacked for something to do.
Now, Buffalmacco having taken a house, to work in and to live in as
well, that had next door a passing rich woolworker, who, being a
simpleton, was called Capodoca (Goosehead), the wife of this man would
rise every night very early, precisely when Buffalmacco, having up to
then been working, would go to lie down; and sitting at her wheel, which
by misadventure she had planted opposite to the bed of Buffalmacco, she
would spend the whole night spinning her thread; wherefore Buonamico,
being able to get scarce a wink of sleep, began to think and think how
he could remedy this nuisance. Nor was it long before he noticed that
behind a wall of brickwork, that divided his house from Capodoca's, was
the hearth of his uncomfortable neighbour, and that through a hole it
was possible to see what she was doing over the fire. Having therefore
thought of a new trick, he bored a hole with a long gimlet through a
cane, and, watching for a moment when the wife of Capodoca was not at
the fire, he pushed it more than once through the aforesaid hole in the
wall and put as much salt as he wished into his neighbour's pot;
wherefore Capodoca, returning either for dinner or for supper, more
often than not could not eat or even taste either broth or meat, so
bitter was everything through the great quantity of salt. For once or
twice he had patience and only made a little noise about it; but after
he saw that words were not enough, he gave blows many a time for this to
the poor woman, who was in despair, it appearing to her that she was
more than careful in salting her cooking. She, one time among others
that her husband was beating her for this, began to try to excuse
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