Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo GaddiVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo Gaddi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
herself, wherefore Capodoca, falling into even greater rage, set himself
to thrash her again in a manner that the woman screamed with all her
might, and the whole neighbourhood ran up at the noise; and among others
there came up Buffalmacco, who, having heard of what Capodoca was
accusing his wife and in what way she was excusing herself, said to
Capodoca: "I' faith, comrade, this calls for a little reason; thou dost
complain that the pot, morning and evening, is too much salted, and I
marvel that this good woman of thine can do anything well. I, for my
part, know not how, by day, she keeps on her feet, considering that the
whole night she sits up over that wheel of hers, and sleeps not, to my
belief, an hour. Make her give up this rising at midnight, and thou wilt
see that, having her fill of sleep, she will have her wits about her by
day and will not fall into such blunders." Then, turning to the other
neighbours, he convinced them so well of the grave import of the matter,
that they all said to Capodoca that Buonamico was speaking the truth and
that it must be done as he advised. He, therefore, believing that it was
so, commanded her not to rise in the night, and the pot was then
reasonably salted, save when perchance the woman on occasion rose early,
for then Buffalmacco would return to his remedy, which finally brought
it about that Capodoca made her give it up completely.
Buffalmacco, then, among the first works that he made, painted with his
own hand the whole church of the Convent of the Nuns of Faenza, which
stood in Florence on the site of the present Cittadella del Prato; and
among other scenes that he made there from the life of Christ, in all
which he acquitted himself very well, he made the Massacre that Herod
ordained of the Innocents, wherein he expressed very vividly the
emotions both of the murderers and of the other figures; for in some
nurses and mothers who are snatching the infants from the hands of the
murderers and are seeking all the assistance that they can from their
hands, their nails, their teeth, and every movement of the body, there
is shown on the surface a heart no less full of rage and fury than of
woe.
Public-domain text, read in full here on John Shaqi.
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