Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo MichelozziVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo Michelozzi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
moved, being heavy, they made a noise like thunder; and when they were
closed, they formed a platform for the apparelling of the angels and
for the making of the other preparations which it was necessary to carry
out within. These engines, made thus, together with many others, were
invented by Filippo, although others maintain that they had been
invented long before. However this may be, it was well to speak of them,
seeing that they have gone completely out of use.
But to return to Filippo himself; his renown and his name had grown so
great that he was sent for from far distant places by all who wished to
erect buildings, in their desire to have designs and models by the hand
of so great a man; and to this end the most powerful means and
friendships were employed. Wherefore the Marquis of Mantua, among
others, desiring to have him, wrote with great insistence to the
Signoria of Florence, by whom he was sent to that city, where he gave
designs for dykes on the Po and certain other works according to the
pleasure of that Prince, who treated him very lovingly, being wont to
say that Florence was as worthy to have Filippo as a citizen as he was
to have so noble and beautiful a city for his birthplace. In Pisa,
likewise, Count Francesco Sforza and Niccolo da Pisa, being surpassed by
him in the making of certain fortifications, commended him in his
presence, saying that if every State possessed a man like Filippo it
would be possible to live in security without arms. In Florence, also,
Filippo gave the design for the house of the Barbadori, near the tower
of the Rossi in the Borgo San Jacopo, but it was not put into execution;
and he also made the design for the house of the Giuntini on the Piazza
d'Ognissanti, on the Arno. Afterwards, the Captains of the Guelph party
in Florence, wishing to build an edifice containing a hall and an
audience-chamber for that body, gave the commission to Francesco della
Luna, who began the work, and he had already raised it to the height of
ten braccia above the ground, making many errors therein, when it was
put into the hands of Filippo, who brought the said palace to that
magnificent form which we see. In this work he had to compete with the
said Francesco, who was favoured by many. Even so did he spend his whole
life, competing now with one man and now with another; for many were
ever making war against him and harassing him, and very often seeking to
gain honour for themselves with his designs, so that he was reduced in
the end to showing nothing and trusting no one. The hall of this palace
is no longer used by the said Captains of the Guelphs, because the flood
of the year 1557 did so great damage to the papers of the Monte, that
the Lord Duke Cosimo, for the greater security of the said papers, which
are of the greatest importance, removed them to the said hall together
with the institution itself. And to the end that the old staircase of
this palace might serve for the said body of Captains--who gave up that
Public-domain text, read in full here on John Shaqi.
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