Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo MichelozziVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo Michelozzi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
hall in favour of the Monte and retired to another part of that
palace--Giorgio Vasari was commissioned by his Excellency to make the
very commodious staircase that now ascends to the said hall of the
Monte. In like manner, from a design by the same man there was made a
coffer-work ceiling which was placed, after the plans of Filippo, on
certain fluted pillars of grey-stone.
One year the Lenten sermons in S. Spirito had been preached by Maestro
Francesco Zoppo, who was then very dear to the people of Florence, and
he had strongly recommended the claims of that convent, of the school
for youths, and particularly of the church, which had been burnt down
about that time. Whereupon the chief men of that quarter, Lorenzo
Ridolfi, Bartolommeo Corbinelli, Neri di Gino Capponi, and Goro di
Stagio Dati, with very many other citizens, obtained an order from the
Signoria for the rebuilding of the Church of S. Spirito, and made Stoldo
Frescobaldi provveditore. This man, by reason of the interest that he
had in the old church, the principal chapel and the high-altar of which
belonged to his house, took very great pains therewith; nay, at the
beginning, before the money had been collected from the taxes imposed on
the owners of burial-places and chapels, he spent many thousands of
crowns of his own, for which he was repaid.
Now, after the matter had been discussed, Filippo was sent for and asked
to make a model with all the features, both useful and honourable, that
might be possible and suitable to a Christian church. Whereupon he urged
strongly that the ground-plan of that edifice should be turned right
round, because he greatly desired that the square should extend to the
bank of the Arno, to the end that all those who passed that way from
Genoa, from the Riviera, from the Lunigiana, and from the districts of
Pisa and Lucca, might see the magnificence of that building. But since
certain citizens objected, refusing to have their houses pulled down,
the desire of Filippo did not take effect. He made the model of the
church, therefore, with that of the habitation of the monks, in the form
wherein it stands to-day. The length of the church was one hundred and
sixty-one braccia, and the width fifty-four braccia, and it was so well
planned, both in the ordering of the columns and in the rest of the
ornaments, that it would be impossible to make a work richer, more
lovely, or more graceful than that one. And in truth, but for the
malevolence of those who are ever spoiling the beautiful beginnings of
any work in order to appear to have more understanding than others, this
would now be the most perfect church in Christendom; and even as it
stands it is more lovely and better designed than any other, although it
has not been carried out according to the model, as may be seen from
certain parts begun on the outside, wherein the design observed within
has not been followed, as it appears from the model that the doors and
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account