Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo MichelozziVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo Michelozzi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
the borders round the windows were meant to do. There are some errors,
attributed to him, about which I will be silent, for it is believed that
if he had completed the building he would not have endured them, seeing
that he had brought all his work to perfection with so much judgment,
discrimination, intellect, and art; and this work likewise established
him as a genius truly divine.
Filippo was very humorous in his discourse and very acute in repartee,
as he showed when he wished to hit at Lorenzo Ghiberti, who had bought a
farm on Monte Morello, called Lepriano, on which he spent twice as much
as he gained by way of income, so that he grew weary of this and sold
it. Some one asked Filippo what was the best thing that Lorenzo had ever
done, thinking perchance, by reason of the enmity between them, that he
would criticize Lorenzo; and he replied, "The selling of Lepriano."
Finally, having now grown very old--he was sixty-nine years of age--he
passed to a better life on April 16, in the year 1446, after having
exhausted himself greatly in making the works that enabled him to win an
honoured name on earth and to obtain a place of repose in Heaven. His
death caused infinite grief to his country, which recognized and
esteemed him much more when dead than it had done when he was alive;
and he was buried with the most honourable obsequies and distinctions in
S. Maria del Fiore, although his burial-place was in S. Marco, under the
pulpit opposite to the door, where there is a coat of arms with two
fig-leaves and certain green waves on a field of gold, because his
family came from the district of Ferrara, that is, from Ficaruolo, a
township on the Po, as it is shown by the leaves, which denote the
place, and by the waves, which signify the river. He was mourned by
innumerable brother-craftsmen, and particularly by the poorer among
them, whom he was ever helping. Thus then, living the life of a
Christian, he left to the world the sweet savour of his goodness and of
his noble talents. It seems to me that it can be said for him that from
the time of the ancient Greeks and Romans to our own there has been no
rarer or more excellent master than Filippo; and he is all the more
worthy of praise because in his times the German manner was held in
veneration throughout all Italy and practised by the old craftsmen, as
it may be seen in innumerable edifices. He recovered the ancient
mouldings and restored the Tuscan, Corinthian, Doric and Ionic Orders to
their original forms. He had a disciple from Borgo a Buggiano, called Il
Buggiano, who made the lavatory of the Sacristy of S. Reparata, with
certain boys who pour out water; and he made a head of his master in
marble, taken from the life, which was placed after the death of Filippo
in S. Maria del Fiore, beside the door on the right hand as one enters
the church, where there is also the following epitaph, placed there by
public decree in order to honour him after his death, even as he had
Public-domain text, read in full here on John Shaqi.
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