Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Lorenzo Costa of Ferrara, being inclined by nature to the art of
painting, and hearing that Fra Filippo, Benozzo, and others were
celebrated and highly esteemed in Tuscany, betook himself to Florence in
order to see their works; and on his arrival, finding that their manner
pleased him greatly, he stayed there many months, striving to imitate
them to the best of his power, particularly in drawing from nature. In
this he succeeded so happily, that, after returning to his own country,
although his manner was a little dry and hard, he made many praiseworthy
works there; as may be seen from the choir of the Church of S. Domenico
in Ferrara, wrought entirely by his hand, from which it is evident that
he used great diligence in his art and put much labour into his works.
In the guardaroba of the Lord Duke of Ferrara there are seen portraits
from life in many pictures by his hand, which are very well wrought and
very lifelike. In the houses of noblemen, likewise, there are works by
his hand which are held in great veneration.
In the Church of S. Domenico at Ravenna, in the Chapel of S. Sebastiano,
he painted the panel in oil and certain scenes in fresco, which were
much extolled. Being next summoned to Bologna, he painted a panel in the
Chapel of the Mariscotti in S. Petronio, representing S. Sebastian bound
to the column and pierced with arrows, with many other figures, which
was the best work in distemper that had been made up to that time in
that city. By his hand, also, was the panel of S. Jerome in the Chapel
of the Castelli, and likewise that of S. Vincent, wrought in like manner
in distemper, which is in the Chapel of the Griffoni; the predella of
this he caused to be painted by a pupil of his, who acquitted himself
much better than the master did in the panel, as will be told in the
proper place. In the same city, and in the same church, Lorenzo painted
a panel for the Chapel of the Rossi, with Our Lady, S. James, S. George,
S. Sebastian, and S. Jerome; which work is better and sweeter in manner
than any other that he ever made.
Public-domain text, read in full here on John Shaqi.
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