Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In the Pieve of Prato Mino made a pulpit entirely of marble, in which
there are stories of Our Lady, executed with much diligence and put
together so well, that the work appears all of one piece. This pulpit
stands over one corner of the choir, almost in the middle of the church,
above certain ornaments made under the direction of the same Mino. He
also made portraits of Piero di Lorenzo de' Medici and his wife,
marvellously lifelike and true to nature. These two heads stood for many
years over two doors in Piero's apartment in the house of the Medici,
each in a lunette; afterwards they were removed, with the portraits of
many other illustrious men of that house, to the guardaroba of the Lord
Duke Cosimo. Mino also made a Madonna in marble, which is now in the
Audience Chamber of the Guild of the Masters in Wood and Stone; and to
Perugia, for Messer Baglione Ribi, he sent a marble panel, which was
placed in the Chapel of the Sacrament in S. Pietro, the work being in
the form of a tabernacle, with S. John on one side and S. Jerome on the
other--good figures in half-relief. The Tabernacle of the Sacrament in
the Duomo of Volterra is likewise by his hand, with the two angels
standing one on either side of it, so well and so diligently executed
that this work is deservedly praised by all craftsmen.
Finally, attempting one day to move certain stones, and not having the
needful assistance at hand, Mino fatigued himself so greatly that he was
seized by pleurisy and died of it; and he was honourably buried by his
friends and relatives in the Canon's house at Fiesole in the year 1486.
The portrait of Mino is in our book of drawings, but I do not know by
whose hand; it was given to me together with some drawings made with
blacklead by Mino himself, which have no little beauty.
LORENZO COSTA
LIFE OF LORENZO COSTA
PAINTER OF FERRARA
Although men have ever practised the arts of design more in Tuscany than
in any other province of Italy, and perhaps of Europe, yet it is none
the less true that in every age there has arisen in the other provinces
some genius who has proved himself rare and excellent in the same
professions, as has been shown up to the present in many of the Lives,
and will be demonstrated even more in those that are to follow. It is
true, indeed, that where there are no studies, and where men are not
disposed by custom to learn, they are not able to advance so rapidly or
to become so excellent as they do in those places where craftsmen are
for ever practising and studying in competition. But as soon as one or
two make a beginning, it seems always to come to pass that many
others--such is the force of excellence--strive to follow them, with
honour both for themselves and for their countries.
Public-domain text, read in full here on John Shaqi.
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