Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
At this time Sandro was commissioned to paint a little panel with
figures three-quarters of a braccio in length, which was placed between
two doors in the principal facade of S. Maria Novella, on the left as
one enters the church by the door in the centre. It contains the
Adoration of the Magi, and wonderful feeling is seen in the first old
man, who, kissing the foot of Our Lord, and melting with tenderness,
shows very clearly that he has achieved the end of his long journey. The
figure of this King is an actual portrait of the elder Cosimo de'
Medici, the most lifelike and most natural that is to be found of him in
our own day. The second, who is Giuliano de' Medici, father of Pope
Clement VII, is seen devoutly doing reverence to the Child with a most
intent expression, and presenting Him with his offering. The third,
also on his knees, appears to be adoring Him and giving Him thanks,
while confessing that He is the true Messiah; this is Giovanni, son of
Cosimo.
It is not possible to describe the beauty that Sandro depicted in the
heads that are therein seen, which are drawn in various attitudes, some
in full face, some in profile, some in three-quarter face, others
bending down, and others, again, in various manners; with different
expressions for the young and the old, and with all the bizarre effects
that reveal to us the perfection of his skill; and he distinguished the
Courts of the three Kings one from another, insomuch that one can see
which are the retainers of each. This is truly a most admirable work,
and executed so beautifully, whether in colouring, drawing, or
composition, that every craftsman at the present day stands in a marvel
thereat. And at that time it brought him such great fame, both in
Florence and abroad, that Pope Sixtus IV, having accomplished the
building of the chapel of his palace in Rome, and wishing to have it
painted, ordained that he should be made head of that work; whereupon he
painted therein with his own hand the following scenes--namely, the
Temptation of Christ by the Devil, Moses slaying the Egyptian, Moses
receiving drink from the daughters of Jethro the Midianite, and likewise
fire descending from Heaven on the sacrifice of the sons of Aaron, with
certain Sanctified Popes in the niches above the scenes. Having
therefore acquired still greater fame and reputation among the great
number of competitors who worked with him, both Florentines and men of
other cities, he received from the Pope a good sum of money, the whole
of which he consumed and squandered in a moment during his residence in
Rome, where he lived in haphazard fashion, as was his wont.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account