Having at the same time finished and unveiled the part that had been assigned to him, he returned immediately to Florence, where, being a man of inquiring mind, he made a commentary on part of Dante, illustrated the Inferno, and printed it; on which he wasted much of his time, bringing infinite disorder into his life by neglecting his work. He also printed many of the drawings that he had made, but in a bad manner, for the engraving was poorly done. The best of these that is to be seen by his hand is the Triumph of the Faith effected by Fra Girolamo Savonarola of Ferrara, of whose sect he was so ardent a partisan that he was thereby induced to desert his painting, and, having no income to live on, fell into very great distress. For this reason, persisting in his attachment to that party, and becoming a Piagnone[27] (as the members of the sect were then called), he abandoned his work; wherefore he ended in his old age by finding himself so poor, that, if Lorenzo de' Medici, for whom, besides many other things, he had done some work at the little hospital in the district of Volterra, had not succoured him the while that he lived, as did afterwards his friends and many excellent men who loved him for his talent, he would have almost died of hunger. [Illustration: THE ADORATION OF THE MAGI (_After the panel by =Sandro Botticelli=. Florence: Uffizi, 1286_) _M. S._] In S. Francesco, without the Porta a San Miniato, there is a Madonna in a round picture by the hand of Sandro, with some angels of the size of life, which was held a very beautiful work. Sandro was a man of very pleasant humour, often playing tricks on his disciples and his friends; wherefore it is related that once, when a pupil of his who was called Biagio had made a round picture exactly like the one mentioned above, in order to sell it, Sandro sold it for six florins of gold to a citizen; then, finding Biagio, he said to him, "At last I have sold this thy picture; so this evening it must be hung on high, where it will be seen better, and in the morning thou must go to the house of the citizen who has bought it, and bring him here, that he may see it in a good light in its proper place; and then he will pay thee the money." "O, my master," said Biagio, "how well you have done." Then, going into the shop, he hung the picture at a good height, and went off. Meanwhile Sandro and Jacopo, who was another of his disciples, made eight caps of paper, like those worn by citizens, and fixed them with white wax on the heads of the eight angels that surrounded the Madonna in the said picture. Now, in the morning, up comes Biagio with his citizen, who had bought the picture and was in the secret. They entered the shop, and Biagio, looking up, saw his Madonna seated, not among his angels, but among the Signoria of Florence, with all those caps. Thereupon he was just about to begin to make an outcry and to excuse himself to the man who had