Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
bought it, when, seeing that the other, instead of complaining, was
actually praising the picture, he kept silent himself. Finally, going
with the citizen to his house, Biagio received his payment of six
florins, the price for which his master had sold the picture; and then,
returning to the shop just as Sandro and Jacopo had removed the paper
caps, he saw his angels as true angels, and not as citizens in their
caps. All in a maze, and not knowing what to say, he turned at last to
Sandro and said: "Master, I know not whether I am dreaming, or whether
this is true. When I came here before, these angels had red caps on
their heads, and now they have not; what does it mean?" "Thou art out of
thy wits, Biagio," said Sandro; "this money has turned thy head. If it
were so, thinkest thou that the citizen would have bought the picture?"
"It is true," replied Biagio, "that he said nothing to me about it, but
for all that it seemed to me strange." Finally, all the other lads
gathered round him and wrought on him to believe that it had been a fit
of giddiness.
Another time a cloth-weaver came to live in a house next to Sandro's,
and erected no less than eight looms, which, when at work, not only
deafened poor Sandro with the noise of the treadles and the movement of
the frames, but shook his whole house, the walls of which were no
stronger than they should be, so that what with the one thing and the
other he could not work or even stay at home. Time after time he
besought his neighbour to put an end to this annoyance, but the other
said that he both would and could do what he pleased in his own house;
whereupon Sandro, in disdain, balanced on the top of his own wall, which
was higher than his neighbour's and not very strong, an enormous stone,
more than enough to fill a wagon, which threatened to fall at the
slightest shaking of the wall and to shatter the roof, ceilings, webs,
and looms of his neighbour, who, terrified by this danger, ran to
Sandro, but was answered in his very own words--namely, that he both
could and would do whatever he pleased in his own house. Nor could he
get any other answer out of him, so that he was forced to come to a
reasonable agreement and to be a good neighbour to Sandro.
[Illustration: SANDRO BOTTICELLI: THE MADONNA OF THE POMEGRANATE
(_Florence: Uffizi, 1289. Panel_)]
Public-domain text, read in full here on John Shaqi.
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