Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna — John Shaqi
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
This same desire was felt by many lofty minds that were devoted to
painting beyond the bounds of Italy--namely, by all the painters of
France, Spain, Germany, and other countries. Now, while matters stood
thus, it came to pass that, while working in Flanders, Johann[10] of
Bruges, a painter much esteemed in those parts by reason of the great
mastery that he had acquired in his profession, set himself to make
trial of various sorts of colours, and, as one who took delight in
alchemy, to prepare many kinds of oil for making varnishes and other
things dear to men of inventive brain, such as he was. Now, on one
occasion, having taken very great pains with the painting of a panel,
and having brought it to completion with much diligence, he gave it the
varnish and put it to dry in the sun, as is the custom. But, either
because the heat was too violent, or perchance because the wood was
badly joined together or not seasoned well enough, the said panel opened
out at the joinings in a ruinous fashion. Whereupon Johann, seeing the
harm that the heat of the sun had done to it, determined to bring it
about that the sun should never again do such great damage to his works.
And so, being disgusted no less with his varnish than with working in
distemper, he began to look for a method of making a varnish that should
dry in the shade, without putting his pictures in the sun. Wherefore,
after he had made many experiments with substances both pure and mixed
together, he found at length that linseed oil and oil of nuts dried more
readily than all the others that he had tried. These, then, boiled
together with other mixtures of his, gave him the varnish that he--nay,
all the painters in the world--had long desired. Afterwards, having made
experiments with many other substances, he saw that mixing the colours
with those oils gave them a very solid consistency, not only securing
the work, when dried, from all danger from water, but also making the
colour so brilliant as to give it lustre by itself without varnish; and
what appeared most marvellous to him was this, that it could be blended
infinitely better than distemper. Rejoicing greatly over such a
discovery, as was only reasonable, Johann made a beginning with many
works and filled all those parts with them, with incredible pleasure for
others and very great profit for himself; and, assisted by experience
from day to day, he kept on ever making greater and better works.
Public-domain text, read in full here on John Shaqi.
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