Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
After these works, Antonio was summoned to Milan by Duke Francesco
Sforza, then Gonfalonier of Holy Church (who had seen his works in
Rome), to the end that there might be made with his design, as it
afterwards was, the Albergo de' poveri di Dio,[1] which is a hospital
that serves for sick men and women, and for the innocent children born
out of wedlock. The division for the men in this place is in the form of
a cross, and extends 160 braccia in all directions; and that of the
women is the same. The width is 16 braccia, and within the four square
sides that enclose the crosses of each of these two divisions there are
four courtyards surrounded by porticoes, loggie, and rooms for the use
of the director, the officials, the servants, and the nurses of the
hospital, all very commodious and useful. On one side there is a channel
with water continually running for the service of the hospital and for
grinding corn, with no small benefit and convenience for that place, as
all may imagine. Between the two divisions of the hospital there is a
cloister, 80 braccia in extent in one direction and 160 in the other,
in the middle of which is the church, so contrived as to serve for both
divisions. In a word, this place is so well built and designed, that I
do not believe that there is its like in Europe. According to the
account of Filarete himself, the first stone of this building was laid
with a solemn procession of the whole of the clergy of Milan, in the
presence of Duke Francesco Sforza, the Lady Bianca Maria, and all their
children, with the Marquis of Mantua, the Ambassador of King Alfonso of
Arragon, and many other lords. On the first stone which was laid in the
foundations, as well as on the medals, were these words:
FRANCISCUS SFORTIA DUX IV, QUI AMISSUM PER PRAECESSORUM OBITUM
URBIS IMPERIUM RECUPERAVIT, HOC MUNUS CHRISTI PAUPERIBUS DEDIT
FUNDAVITQUE MCCCCLVII, DIE XII APRIL.
These scenes were afterwards depicted on the portico by Maestro
Vincenzio di Zoppa, a Lombard, since no better master could be found in
those parts.
Public-domain text, read in full here on John Shaqi.
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