Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico PuligoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico Puligo
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Returning to Florence, he gave some attention to the study of music;
and, delighting much therein, he would sometimes sing to pass the
time. At Prato, opposite to the prison, he painted a panel-picture
of the Assumption. He executed some pictures of Our Lady for the
house of the Medici, and also other paintings for various people,
such as a picture of Our Lady which Lodovico di Lodovico Capponi has
in his apartment, and likewise another of the Virgin holding the
Child in her arms, with two heads of saints, that is in the
possession of the very Excellent Messer Lelio Torelli, Chief
Secretary to the most Illustrious Duke Cosimo, who holds it very
dear both on account of the genius of Fra Bartolommeo, and because
he delights in, loves, and favours not only the men of our art, but
every fine intellect. In the house of Piero del Pugliese, which now
belongs to Matteo Botti, a citizen and merchant of Florence, in an
antechamber at the head of a staircase, he painted a S. George in
armour, on horseback, who is slaying the Dragon with his lance--a
very spirited figure. This he executed in chiaroscuro, in oils, a
method that he much delighted to use for all his works, sketching
them in the manner of a cartoon, with ink or with bitumen, before
colouring them; as may still be seen from many beginnings of
pictures and panels, which he left unfinished on account of his
death, and as may also be perceived from many drawings by his hand,
executed in chiaroscuro, of which the greater part are now in the
Monastery of S. Caterina da Siena on the Piazza di S. Marco, in
the possession of a nun who paints, and of whom record will be made
in the proper place; while many made in the same way adorn our book
of drawings, honouring his memory, and some are in the hands of
Messer Francesco del Garbo, a most excellent physician.
Fra Bartolommeo always liked to have living objects before him when
he was working; and in order to be able to draw draperies, armour,
and other suchlike things, he caused a life-size figure of wood to be
made, which moved at the joints; and this he clothed with real
draperies, from which he painted most beautiful things, being able
to keep them in position as long as he pleased, until he had brought
his work to perfection. This figure, worm-eaten and ruined as it is,
is in our possession, treasured in memory of him.
Public-domain text, read in full here on John Shaqi.
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