Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico PuligoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 04 (of 10): Filippino Lippi to Domenico Puligo
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
At Arezzo, for the Abbey of the Black Friars, he made a head of
Christ in dark tints--a very beautiful work. He painted, also, the
panel of the Company of the Contemplanti, which was preserved in the
house of the Magnificent Messer Ottaviano de' Medici, and has now
been placed in a chapel of that house, with many ornaments, by his
son Messer Alessandro, who holds it very dear in memory of Fra
Bartolommeo, and also because he takes vast pleasure in painting. In
the chapel of the Noviciate of S. Marco there is a panel-picture of
the Purification, very lovely, which he executed with good
draughtsmanship and high finish. At S. Maria Maddalena, a seat of
the Friars of his Order, without Florence, while staying there for
his own pleasure, he made a Christ and a Magdalene; and he also
painted certain things in fresco in that convent. In like manner, he
wrought in fresco an arch over the strangers' apartment in S. Marco,
in which he painted Christ with Cleophas and Luke, and made a
portrait of Fra Niccolo della Magna, who was then a young man, and
who afterwards became Archbishop of Capua, and finally a Cardinal.
He began a panel for S. Gallo, afterwards finished by Giuliano
Bugiardini, which is now on the high-altar of S. Jacopo fra Fossi,
on the Canto degli Alberti; and likewise a picture of the Rape of
Dinah, now in the possession of Messer Cristofano Rinieri, and
afterwards coloured by the same Giuliano, in which are buildings and
conceptions that are much extolled.
From Piero Soderini he received the commission for the panel of the
Council Chamber, which he began in such a manner, drawing it in
chiaroscuro, that it seemed destined to do him very great credit;
and, unfinished as it is, it now has a place of honour in the Chapel
of the Magnificent Ottaviano de' Medici, in S. Lorenzo. In it are
all the Patron Saints of the city of Florence, and those saints on
whose days that city has gained her victories; and there is also the
portrait of Fra Bartolommeo himself, made by him with a mirror. He
had begun this picture, and had drawn the whole design, when it
happened that, from working continually under a window, with the
light from it beating on his back, he became completely paralyzed on
that side of his body, and quite unable to move. Thereupon he was
advised--such being the orders of his physicians--to go to the baths
of San Filippo; where he stayed a long time, but became very little
better thereby. Now Fra Bartolommeo was a great lover of fruit,
which pleased his palate mightily, although it was ruinous to his
health. Wherefore one morning, having eaten many figs, there came
upon him, in addition to his other infirmity, a very violent fever,
which cut short the course of his life in four days, at the age of
forty-eight; when, still wholly conscious, he rendered up his soul
to Heaven.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account