at the Column, which is a very lovely thing. [Illustration: MADONNA AND CHILD, WITH SAINTS (_After the panel by =Giovanni (Lo Spagna)=. Assisi: Lower Church_) _Anderson_] A brother of this Baccio, and likewise a disciple of Pietro, was Francesco, called Il Bacchiaccha by way of surname, who was a most diligent master of little figures, as may be seen in many works wrought by him in Florence, above all in the house of Giovan Maria Benintendi and in that of Pier Francesco Borgherini. Bacchiaccha delighted in painting grotesques, wherefore he covered a little cabinet belonging to the Lord Duke Cosimo with animals and rare plants, drawn from nature, which are held very beautiful. Besides this, he made the cartoons for many tapestries, which were afterwards woven in silk by the Flemish master, Giovanni Rosto, for the apartments of his Excellency's Palace. Still another disciple of Pietro was the Spaniard Giovanni, called Lo Spagna by way of surname, who was a better colourist than any of the others whom Pietro left behind him at his death; after which this Giovanni would have settled in Perugia, if the envy of the painters of that city, so hostile to strangers, had not persecuted him in such wise as to force him to retire to Spoleto, where, by reason of his excellence and virtue, he obtained a wife of good family and was made a citizen of that city. He made many works in that place, and likewise in all the other cities of Umbria; and at Assisi, in the lower Church of S. Francesco, he painted the panel of the Chapel of S. Caterina, for the Spanish Cardinal Egidio, and also one in S. Damiano. In S. Maria degli Angeli, in the little chapel where S. Francis died, he painted some half-length figures of the size of life--that is, certain companions of S. Francis and other saints--all very lifelike, on either side of a S. Francis in relief.