Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo LottoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo Lotto
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Genga; but the altar-panel and the middle of the chapel are entirely by
the hand of Timoteo. For the same church, also, he painted a Magdalene
standing, clothed in a short mantle, and covered below this by her own
tresses, which reach to the ground and are so beautiful and natural,
that the wind appears to move them; not to mention the divine beauty of
the expression of her countenance, which reveals clearly the love that
she bore to her Master.
In S. Agata there is another panel by the hand of the same man, with
some very good figures. And for S. Bernardino, without that city, he
made that work so greatly renowned that is at the right hand upon the
altar of the Buonaventuri, gentlemen of Urbino; wherein the Virgin is
represented with most beautiful grace as having received the
Annunciation, standing with her hands clasped and her face and eyes
uplifted to Heaven. Above, in the sky, in the centre of a great circle
of light, stands a little Child, with His foot on the Holy Spirit in the
form of a Dove, and holding in His left hand a globe symbolizing the
dominion of the world, while, with the other hand raised, He gives the
benediction; and on the right of the Child is an angel, who is pointing
Him out with his finger to the Madonna. Below--that is, on the level of
the Madonna, to her right--is the Baptist, clothed in a camel's skin,
which is torn on purpose that the nude figure may be seen; and on her
left is a S. Sebastian, wholly naked, and bound in a beautiful attitude
to a tree, and wrought with such diligence that the figure could not
have stronger relief nor be in any part more beautiful.
At the Court of the most illustrious Dukes of Urbino, in a little
private study, may be seen an Apollo and two half-nude Muses by his
hand, beautiful to a marvel. For the same patrons he executed many
pictures, and made some decorations for apartments, which are very
beautiful. And afterwards, in company with Genga, he painted some
caparisons for horses, which were sent to the King of France, with such
beautiful figures of various animals that they appeared to all who
beheld them to have life and movement. He made, also, some triumphal
arches similar to those of the ancients, on the occasion of the marriage
of the most illustrious Duchess Leonora to the Lord Duke Francesco
Maria, to whom they gave vast satisfaction, as they did to the whole
Court; on which account he was received for many years into the
household of that Duke, with an honourable salary.
[Illustration: THE MAGDALENE
(_After the panel by =Timoteo da Urbino [Timoteo della Vite]=. Bologna:
Accademia, 204_)
_Anderson_]
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