Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo Lotto — John Shaqi
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo LottoVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 05 (of 10): Andrea da Fiesole to Lorenzo Lotto
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Now, although I have called him above, Baldassarre of Siena, because he
was always known as a Sienese, I will not withhold that even as seven
cities contended for Homer, each claiming that he was her citizen, so
three most noble cities of Tuscany--Florence, Volterra, and Siena--have
each held that Baldassarre was her son. But, to tell the truth, each of
them has a share in him, seeing that Antonio Peruzzi, a noble citizen of
Florence, that city being harassed by civil war, went off, in the hope
of a quieter life, to Volterra; and after living some time there, in the
year 1482 he took a wife in that city, and in a few years had two
children, one a boy, called Baldassarre, and the other a girl, who
received the name of Virginia. Now it happened that war pursued this man
who sought nothing but peace and quiet, and that no long time afterwards
Volterra was sacked; whence Antonio was forced to fly to Siena, and to
live there in great poverty, having lost almost all that he had.
Meanwhile Baldassarre, having grown up, was for ever associating with
persons of ability, and particularly with goldsmiths and draughtsmen;
and thus, beginning to take pleasure in the arts, he devoted himself
heart and soul to drawing. And not long after, his father being now
dead, he applied himself to painting with such zeal, that in a very
short time he made marvellous progress therein, imitating living and
natural things as well as the works of the best masters. In this way,
executing what work he could find, he was able to maintain himself, his
mother, and his sister with his art, and to pursue the studies of
painting.
[Illustration: CUPOLA OF THE PONZETTI CHAPEL
(_After the fresco by =Baldassarre Peruzzi=. Rome: S. Maria della Pace_)
_Anderson_]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account