He also painted stories of Our Lady on a small predella, likewise after the manner of miniatures, for the Chapel of the Madonna in the Duomo. But this was afterwards removed from that chapel by order of Monsignor Messer Giovan Matteo Giberti, Bishop of Verona, and placed in the Palace of the Vescovado, which is the residence of the Bishops, in that chapel wherein they hear Mass every morning. And there that predella stands in company with a most beautiful Crucifix in relief, executed by Giovanni Battista Veronese, a sculptor, who now lives in Mantua. Liberale also painted a panel-picture for the Chapel of the Allegni in S. Vitale, containing a figure of S. Mestro, the Confessor, a Veronese and a man of great sanctity, whom he placed between a S. Francis and a S. Dominic. For the Chapel of S. Girolamo in the Vittoria, a church and convent of certain Eremite Friars, he executed at the commission of the Scaltritegli family an altar-piece of S. Jerome in the habit of a Cardinal, with a S. Francis and a S. Paul, all much extolled. And in the tramezzo[5] of the Church of S. Giovanni in Monte he painted the Circumcision of Christ and other works, which were destroyed not long since, because it was considered that the tramezzo impaired the beauty of the church. Being then summoned to Siena by the General of the Monks of Monte Oliveto, Liberale illuminated many books for that Order; and in these he succeeded so well, that he was commissioned in consequence to illuminate some that had been left unfinished--that is to say, only written--in the library of the Piccolomini. He also illuminated some books of plain-song for the Duomo of that city, where he would have remained longer, executing many works that he had in hand; but, being driven away by envy and persecution, he set off to return to Verona, with eight hundred crowns that he had earned, which he lent afterwards to the Monks of Monte Oliveto at S. Maria in Organo, from whom he drew interest to support him from day to day. Having thus returned to Verona, he gave his attention for the rest of his life more to illumination than to any other kind of work. At Bardolino, a place on the Lake of Garda, he painted a panel-picture which is now in the Pieve; and another for the Church of S. Tommaso Apostolo. For the Chapel of S. Bernardo, likewise, in the Church of S. Fermo, a convent of Friars of S. Francis, he painted a panel-picture of the first-named Saint, with some scenes from his life in the predella. In the same place, also, and in others, he executed many nuptial pictures, one of which, containing the Madonna with the Child in her arms marrying S. Catharine, is in the house of Messer Vincenzio de' Medici at Verona.