Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Then, having arrived in Genoa, he stayed there many months,
executing other works for the Prince.
His departure from Pisa displeased the Warden greatly, and even more the
circumstance that the work remained unfinished; wherefore he did not
cease to write to him every day that he should return, or to make
inquiries from Perino's wife, whom he had left in Pisa. But finally,
perceiving that the matter would never end, Perino neither answering nor
returning, he allotted the altar-piece of that chapel to Giovanni
Antonio Sogliani, who finished it and set it into its place. Not long
after this Perino returned to Pisa, and, seeing the work of Sogliani,
flew into a rage, and would on no account continue what he had begun,
saying that he did not choose that his pictures should serve as
ornaments for those of other masters; wherefore, so far as concerned
him, that work remained unfinished. Giovanni Antonio carried it on to
such purpose that he painted four altar-pieces: but these, at a later
date, appeared to Sebastiano della Seta, the new Warden, to be all in
the same manner, and somewhat less beautiful than the first, and he
allotted to Domenico Beccafumi of Siena--after proving his worth from
some pictures that he painted round the sacristy, which are very
beautiful--an altar-piece which he executed in Pisa. This not giving as
much satisfaction as the first pictures, he caused the two last that
were wanting to be painted by Giorgio Vasari of Arezzo; and they were
placed at the two doors beside the corner-walls of the main facade of
the church. Of these, as well as of many other works, both large and
small, that are dispersed throughout Italy and various places abroad, it
does not become me to say more, and I will leave the right of free
judgment about them to all who have seen or may see them. The loss of
this work caused real vexation to Perino, he having already made the
designs for it, which gave promise that it would prove to be something
worthy of him, and likely to give that temple great fame over and above
that of its antiquities, and also to make Perino immortal.
Public-domain text, read in full here on John Shaqi.
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