Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Domenico afterwards painted for S. Benedetto, a seat of Monks of Monte
Oliveto, without the Porta a Tufi, an altar-piece of S. Catharine of
Siena in a building receiving the Stigmata, with a S. Benedict standing
on her right hand, and on her left a S. Jerome in the habit of a
Cardinal; which altar-piece, being very soft in colouring and strong in
relief, was much praised, as it still is. In the predella of this
picture, likewise, he painted some little scenes in distemper with
incredible boldness and vivacity, and with such facility of design, that
they could not be more graceful, and yet they have the appearance of
having been executed without the slightest effort in the world. In one
of these little scenes is the Angel placing in the mouth of that same S.
Catharine part of the Host consecrated by the priest; in another is
Jesus Christ marrying her, in a third she is receiving the habit from S.
Dominic, and there are other stories.
For the Church of S. Martino the same master painted a large altar-piece
with Christ born and being adored by the Virgin, by Joseph, and by the
Shepherds; and above the hut is a most beautiful choir of Angels
dancing. In this work, which is much extolled by craftsmen, Domenico
began to show to those who had some understanding that his works were
painted with a different foundation from those of Sodoma. He then
painted in fresco, in the Great Hospital, the Madonna visiting S.
Elizabeth, in a manner very pleasing and very natural. And for the
Church of S. Spirito he executed an altar-piece of the Madonna holding
in her arms the Child, who is marrying the above-mentioned S. Catharine
of Siena, and at the sides S. Bernardino, S. Francis, S. Jerome, and S.
Catharine the Virgin-Martyr, with S. Peter and S. Paul upon some marble
steps in front, on the polished surface of which he counterfeited with
great art some reflections of the colour of their draperies. This work,
which was executed with fine judgment and design, brought him much
honour, as did also some little figures painted on the predella of the
picture, in which is S. John baptizing Christ, a King causing the wife
and children of S. Gismondo to be thrown into a well, S. Dominic burning
the books of the heretics, Christ presenting to S. Catharine of Siena
two crowns, one of roses and the other of thorns, and S. Bernardino of
Siena preaching on the Piazza of Siena to a vast multitude.
[Illustration: DOMENICO BECCAFUMI: S. CATHARINE BEFORE THE CRUCIFIX
(_Siena_: _Pinacoteca_, 420. _Canvas_)]
Public-domain text, read in full here on John Shaqi.
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