Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Next, by reason of the fame of these works, there was allotted to
Domenico an altar-piece that was to be placed in the Carmine, in which
he had to paint a S. Michael doing vengeance on Lucifer; and he, being
full of fancy, set himself to think out a new invention, in order to
display his talent and the beautiful conceptions of his brain. And so,
seeking to represent Lucifer and his followers driven for their pride
from Heaven to the lowest depths of Hell, he began a shower of nude
figures raining down, which is very beautiful, although, from his having
taken too great pains with it, it appears if anything rather confused.
This altar-piece, which remained unfinished, was taken after the death
of Domenico to the Great Hospital and placed at the top of some steps
near the high-altar, where it is still regarded with marvel on account
of some very beautiful foreshortenings in the nudes. In the Carmine,
where this picture was to have been set up, was placed another, in the
upper part of which is counterfeited a God the Father above the clouds
with many Angels round Him, painted with marvellous grace; and in the
centre of the picture is the Angel Michael in armour, flying, and
pointing to Lucifer, whom he has driven to the centre of the earth,
where there are burning buildings, rugged caverns, and a lake of fire,
with Angels in various attitudes, and nude figures of lost souls, who
are swimming with different gestures of agony in that fire. All this is
painted with such beauty and grace of manner, that it appears that this
marvellous work, in its thick darkness, is illuminated by the fire;
wherefore it is held to be a rare picture. Baldassarre Peruzzi of Siena,
an excellent painter, could never have his fill of praising it, and I
myself, one day that I saw it uncovered in his company, while passing
through Siena, was struck with astonishment by it, as I also was by the
five little scenes that are in the predella, painted with distemper in a
judicious and beautiful manner. For the Nuns of Ognissanti in the same
city Domenico painted another altar-piece, in which is Christ on high in
the heavens, crowning the Glorified Virgin, and below them are S.
Gregory, S. Anthony, S. Mary Magdalene, and S. Catharine the
Virgin-Martyr; and in the predella, likewise, are some very beautiful
little figures executed in distemper.
Public-domain text, read in full here on John Shaqi.
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